Tag Archives: oracles

Review: Mystical Origins of the Tarot, by Paul Huson

By Psyche | March 10, 2007 | Leave a comment

Mystical Origins of the Tarot: From Ancient Roots to Modern Usage, by Paul Huson
Destiny Books, 0892811900, 335 p. (incl. appendices, notes, bibliography and index), 2004

This is Paul Huson’s second book on tarot; his previous Devil’s Picturebook was a mainstay for tarot enthusiasts. In Mystical Origins of the Tarot he has updated many of his theories in light of new research and opens up new realms of tarot interpretation.

Regarding tarot’s history, Huson’s stance is that “if you take the art of tarot reading seriously (and expect others to), it might behove you to know something about the actual historical roots of your chosen field” – a sentiment with which I fully agree! Many tarot authors continue to perpetuate the old myths – myths which were refuted in the seventeenth century, and for which there is little excuse to see repeated in contemporary texts today. It has now been more than ten years since Ronald Decker, Thierry Depaulis and Michael Dummett wrote A Wicked Pack of Cards, the first in depth study of tarot’s historical roots. Huson acknowledges his debt to these fine scholars (Dummett’s work especially), though also notes where he differs from their conclusions, but it is refreshing to see the scholarly approach he takes in this work on.

Many of tarot’s origin theories are revisited, including the line of thought which attributed the four “minor” suits of the tarot to the “four magical talismans that belonged to the pagan gods of Irish Celtic legend – the cauldron of the Dagda, the sword of Nuada, the stone of Fal, and the spear of Lugh”, which he lightly mocks – a bit cheekily, as he was a proponent of this origin myth in The Devil’s Picturebook!

Huson provides an intriguing theory into tarot’s origins, tracing its roots back to ancient Persia. He believes that symbolic meanings were always an integral part of their use and here his theorizing becomes somewhat less convincing, but remains stimulating.

The trump card analyses derive mainly from medieval and Renaissance mystery plays, from which he quotes liberally from where parallels can be drawn. He also includes cartomantic descriptions from Etteilla, Pratesi’s Cartomancer, De Mellet, Court de Gébelin, Éliphas Lévi, Paul Christian, S. L. MacGregor Mathers, the Golden Dawn, A. E. Waite, tracing the lines of thought, and also offers his own interpretations.

Mystical Origins of the Tarot is Huson’s most solid work to date, and I highly recommend it to all serious students of tarot.


Review: The Well Worn Path, by Raven Grimassi and Stephanie Taylor

By Psyche | May 15, 2006 | Leave a comment

The Well Worn Path, by Raven Grimassi and Stephanie Taylor, illustrated by Mickie Mueller
Kit: Llewellyn Worldwide, 073870671X, 216 pp., 40 cards, 2005

The kit includes forty beautifully illustrated cards, a black organdy bag, a white cardboard box for sturdier storage, and the companion booklet, A Traveller’s Guide to the Well Worn Path.

Grimassi and Taylor write that the title of the deck was chosen to reflect the idea of ‘…a path trodden by the footsteps of those who have walked in these ways since perhaps the beginning of time. Here our ancestors left to us a trail to the ways we now seek to follow as we extend the path to our new vistas’.

I was surprised by some of the cards included in the deck, and their descriptions. For example, the ‘Words of the Magus’ (To Know, To Will, To Dare, and To Keep Silence, or, as it is in these cards ‘To Know, To Dare, To Will, To Keep Silent’ – daring before will is known sounds dangerous to me, but perhaps the authors have something else in mind) I have known previously as the Four Powers of the Sphinx in the western mystery traditions. ‘As Above, So Below’ is also a Hermetic maximum, from the compiled writings of Hermes Trismigustus, but here it is not cited thus. These idiosyncrasies among the first few cards did not bode well for the rest of the deck.

There are some nice touches on the cards themselves, such as the inclusion of certain plants on the books within, and decorations on the locks of the trunk which hold special meaning which are explained in the book. However, I get the feeling that more work was put into creating the cards than writing the book that accompanies it.

Grimassi and Taylor believe ‘The central value of this deck is that it presents a series of teachings that can help you understand why the concepts presented are important. It brings you into an experience of each theme and concept instead of simply providing information or inspiring ideas. Because of this the deck is a valuable tool for solitary practitioners who may not be able to find a physical teacher and initiator’. Unfortunately, there is not a single citation in the entire book, every ‘ancient tradition’ is left vague, exactly which traditional ‘ancestral spirits’ the authors are speaking of is not clear (my personal ancestors, or specific pre-Christian European spiritual ancestors, or the more general ancestors of all humankind?), nor is there any suggested reading for further study. As a teaching tool it leaves much to be desired.

They write, ‘This deck has been designed to serve four different purposes. It is a deck of divination, a system of teaching, a tool for spiritual alignments, and a means of performing solitary rituals’ (pg 9) and as such each card is accompanied by three interpretations Meaning, Teaching and Alignment. Meaning gives the divinatory meaning for the spreads given in the book, Teaching explains the symbolism in clear, simple terms (as the authors state, the cards could also be used as flash cards to teach new students to immediately recognize the obvious meanings of the cards – though I’m unclear as to why that would be beneficial, meditation on the deeper meanings would seem to be more useful in the long run, rather reciting ingrained symbolic descriptions), and Alignment relays a heavily scripted guided meditation that follows through the forty cards.

They state that ‘The Well Worn Path deck is designed to present and reveal the symbolism, meaning, and teachings that are the far-reaching roots of modern Paganism and the Craft. The images in this deck depict the spiritual and religious concepts that were the foundations of European Paganism as once known to our ancestors…Here we have captured the knowledge and wisdom of ancient times for contemporary application’. Exactly what this means is never made clear.

The authors obviously intend something very specific with the cards, and yet write in such a vague manner leaving it open to interpretation and opposition at the worst of times, which seems to negate the point. They state that ‘One of the many unique features of this deck is that you can customize the meaning of these cards to better reflect your own individual symbolism’. However, more focus would have been appreciated, as it is, the text comes off wishy-washy rather than practically applicable.

The accompanying book constantly makes reference to ancient ways and ancestral traditions, but there are no specific evidences of that within the deck. The deck presents the same sort of vague neo-pagan mythologies and traditions that we’ve come to expect from Wiccan-based books. This wouldn’t be an issue if the deck was presented as a model for modern Wiccan and neo-pagan traditions; however, with these ‘ancient’ references and a lack of citation as to where these ancient elements are supposed to come into play, it instead leaves me shaking my head.

A tradition doesn’t have to be ancient to be worthwhile. That Wicca is still a newly emerging religion, barely fifty years old, does not make it any more or less legitimate than if it really had been a continuing tradition dating back from Neolithic times. Yes, the roots of pantheism hearken back quite a while, but to associate this, even in a loose way, with what Wiccans or neo-pagans practice today doesn’t make a lot of sense in today’s technologically advanced age. The fact of the matter is the symbolism is not the same, was not universal and it is not interpreted exactly as it was then.

I wish more authors would focus on the beauty of Wicca and neo-paganism within themselves rather than presenting them as a modernized version of ancient practices. We call it the ‘Old Religion’, but unless one is a practicing reconstructionalist, this tends not to be the case… and there is nothing wrong with that! There are many approaches to the divine within and without, but pretending something is what it isn’t helps no-one.

There are a few additional cards I would have liked to have seen. For example, the Wheel of the Year is present, but individual Festivals are not; yet with only forty cards in the deck, there is room to add another eight cards, or even a round ten, if you add Esbats and Diana’s Bow.

Yet other cards seem almost superfluous, such as the Voice of the Wind, or Eightfold Path cards. ‘Voice of the Wind’ is not something I have heard related specifically with Paganism before – it sounds more shamanistic to me than anything else. The only Eightfold Path I have head of previously was the Eightfold Path of Yoga, or the eight kinds of magick in Peter Carroll’s chaos magick. Perhaps these cards are intended to be tradition-specific, but if so, they should be identified as such.

Another criticism I have is that there are no ‘negative’ cards. There is no death, only the Summerland and Reincarnation, and Hecate, a Goddess of Crossroads, is mentioned only in Her lighter aspect and any hints of Her darkness have been dispelled. This leaves the deck feeling unbalanced, and therefore, in my mind, not suitable for divination, as a few test readings further indicated. The Pentagram spread in particular does not feel intuitive, as it does not follow the traditional invoking or banishing forms of any of the readings, it hops around form point to point to centre, not conforming to the fluid pattern of the symbol.

The book concludes with a chapter titled ‘Solitary Rites’ which includes two rituals which make use of the cards in the deck, and advise that other rituals may be created once the basic formula is known. The first, ‘The Rite of the Inward Journey’ is a dedication ritual designed to dedicate oneself to the ‘well worn path’, though there is no specific mention of the Goddess or God in the dedication. The second, ‘Solitary Full Moon Rite’, is a simple ritual involving heavy use of the imagination rather than working with a specific energy or goal. Following that is another guided meditation, with simple instructions on how to create one’s own.

I like the idea behind the cards – a specifically Pagan deck intended to provide guidance and teachings, and the deck itself is rather pretty, but I can’t recommend the kit as it is. The booklet leaves much to be desired in its presentation and practicality; there are too many gaps. I believe it is possible to purchase the deck independently, and new Pagans may be interested in doing so, but I can’t see any value in it for the experienced or as a teaching tool.


Mastering the Tarot, by Eden Gray

By Psyche | February 6, 2005 | Leave a comment

Mastering the Tarot: Basic Lessons in an Ancient Mystic Art, by Eden Gray
Signet, 0451137191, 221 pp. (incl. glossary and index), 1971

In Mastering the Tarot Gray outlines eighteen simple lessons to begin one’s studies in the Tarot. Using the Rider-Waite-Smith deck for reference, along with the picture, each card has listed an interpretation, reversed meaning, a description of what it could mean in a reading, and description of the card itself.

Several spreads are included, but he does not go into much depth in regards to finding or creating others. Along with the descriptions of the spreads, Gray also provides sample readings to indicate how the cards may be interpreted in a real setting.

I do have a few slight criticisms. Gray does have a tendency to shy away from negative meanings, especially when they may portent physical death, as well as a few silly superstitions he holds about the cards. For example, in a section on caring for the card he writes: ‘In some mysterious way, the Tarot cards seem to be influenced by the vibrations of those who handle them’. Taken with a healthy teaspoon of salt, these are not too prevalent and may be overlooked to a certain extent.

Despite some of its shortcomings, this is one of the better books I’ve read that aims to self-teach beginners, and I would recommend this, along with a few others, as a useful book for the beginner’s Tarot shelf, especially those using the Rider-Wait-Smith deck.


Seventy-Eight Degrees of Wisdom, by Rachel Pollack

By Psyche | September 5, 2004 | Leave a comment

Seventy-Eight Degrees of Wisdom: A Book of Tarot, by Rachel Pollack
0722535724, 354 pp (incl. bibliography and index), 1980, 1983, 1997

Previously, Seventy-Eight Degrees of Wisdom was comprised of two volumes, one tackling the major arcana, and the second the minor; this revised edition helpfully combines them into one hefty tome.

After a brief history lesson, Pollack begins to explore the major arcana in depth, guiding the reader along the Fool’s Journey. She compares and contrasts cards from several decks for many of the cards, drawing on a rich mythological background from various sources, Christian, Hindu, the quabalah and occult significance. Brief histories of the cards are described, also giving a divinatory upright and reversed meaning for each.

With the minor arcana, Pollack focuses on the Rider-Waite-Smith deck, as it was among the first to use pictures of people in the cards in addition to the weapons. She takes direction primarily from Waite’s description and interpretation of the cards, while giving upright and reversed meanings.

Pollack also describes how to give a reading, outlines several spreads, including the familiar Celtic Cross, giving sample readings with each. She goes into more depth than most other works previous to it as she describes how to use Tarot, psychological readings, in meditation, spreads as mandalas, etc.

With Pollack’s clear, concise manner and style, it’s not surprising her Seventy-Eight Degrees of Wisdom is likely to be found among the books of any Tarot enthusiast – and rightly so. Whether using the Rider-Waite-Smith deck or one of it’s variations, this book is likely to be an invaluable tool to any student.


The Complete I Ching, by Master Alfred Huang

By Mike Gleason | July 12, 2004 | Leave a comment

The Complete I Ching: The Definitive Translation, by Master Alfred Huang
Inner Traditions, 502 pp. (+ glossary & index), 1998, 2004

I Ching is a system of guidance (I wouldn’t call it divination, even though many do), and I definitely wouldn’t refer to it as fortune telling) which I first encountered over 30 years ago. At the time, it was one of the “divination” systems that was gaining in popularity. I found it not to be my style, so I put it aside. I learned Tarot, a bit of astrology, some rune lore, and a variety of other systems.

Imagine my surprise when this book appeared (unasked for) in a shipment of books for review. It seemed as if I was fated to re-explore this system. Having added three decades of life experience opened me to some of the subtler meanings of the trigrams (3-line portions of the total figure) and hexagrams (complete 6-line figures).

The author himself refers to it as a book of divination, but I feel his (Chinese) perception of divination is far removed from that of the average Westerner. He sees it as divine guidance, whereas most Westerners see it as predictions, thus my reluctance to use the word “divination”.

This translation, from a Taoist Master, is the most extensive treatment of the subject I have ever encountered. I have a couple of other translations in my library, but they lack the depth of understanding and insight this book provides. It is not an easy book to read and use, but that is to be expected. Contrary to popular belief, not all systems of guidance are susceptible to being simplified and made easily accessible.

Master Huang has provided some very workable shortcuts to arriving at the proper answer to any question, but getting there is only the smallest part of this procedure. There is no substitute for dedication and study. Once you know where to look for guidance you must still determine how it applies in your case; what action(s) you should undertake (or avoid); how to view your current situation and its eventual outcome.

Obviously, this is not a book to be read straight through. It is, in the strict sense, a reference book. Although Master Huang failed in his original intent to keep this book small, the quality of the work is so exceptional that it is hard to find fault with it. It is conceivable, barely, that a better rendering of this work from ancient Chinese into modern English may come along. But, in my opinion, if you wish to learn this system, this book will be an indispensable aid to your education. There is such a wealth of information contained in this book (each page contains the hexagram being discussed and the ideograph of the name, so there is no confusion) that it is hard to overstate the usefulness of this work. The commentaries are clear, with references which may be unfamiliar to the Western reader explained simply, and there is additional data provided for each diagram which, while not part of the classic I Ching, will be of benefit to those who wish to go a bit beyond the standard. This it is of use and benefit for both the novice and the more experienced user.


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