Mysteries of Druidry, by Brendan Cathbad Myers, Ph. D.
New Page Books, 1564148785, 236 pp. (incl. bibliography and index), 2006
I first met Brendan at a Pagan pub moot in Toronto a few years ago. In conversation his love and commitment to Druidry became immediately evident. I was among the attendants at the Toronto launch of The Mysteries of Druidry, where he read from the preface, and sold and signed books. I was pleased and honoured to receive a copy of this book for review, and looking forward to engaging in the rest of the material. His unique voice carries throughout the text, and at times it was as if I heard his voice speaking passages as I read.
Right from the preface it becomes clear that The Mysteries of Druidry was written from a place of love and deep respect for the Celtic tradition, the land and its spiritual ancestors. The first chapter follows a question and answer format, giving an overview of popular themes in Celtic history, culture and spirituality, following this is a summary of Druidic mysteries, magic and practice. Another chapter is dedicated to clann, or grove building, leadership and fostering community.
Myers defines Druidry as “a spirituality of dwelling in and with the land, sea and sky”, noting that the “needs of humanity are not ignored, for it is a spirituality of tribe and family, of personal empowerment, and of social justice”, important themes which are impressed upon the reader throughout the text.
In addition to reconstructing the past, Myers also offers a fascinating history of modern Druidry, its sources, texts and people. He notes that “[e]very form of modern Druidry and Celtic Mysticism seems to be driven by a quest for spiritual identity, which is one form of the impulse to “know yourself”. Some people find that by identifying themselves as Celtics, as envisaged by historical discovery or even imaginative fantasy, then will “know themselves”…People need roots and traditions, which only a connection to family, society and history can provide”, and so, as he insightfully remarks: “to [his] mind, what matters most is the pursuit of a worthwhile life” – a very agreeable conclusion.
Myers capably demonstrates his ability to frame Celtic spirituality in a modern context, providing exercises and rites which are practical for today’s world. He weaves retellings of classic tales from ancient Celtic and post-Celtic literature with more modern inspirations from W. B. Yeats, J. R. R. Tolkein and Joseph Campbell.
Some may have difficulty with statements such as “…the only people among us today who would qualify [as Druids] are those who have at least a Bachelor’s degree, if not a Master’s as well, from a recognized university”. However, when the Druid class is placed in context as being a scholarly class in Celtic society (among other things) requiring an extensive training program, it does make sense. As noted earlier in the text, “[a] Druid is a “professional” because Druidry requires the application of skill and knowledge in the service of certain social responsibilities”, and a convincing argument is made.
Additionally, Myers’ stance on self-initiations confronts another uncomfortable truth, namely, that “[s]elf-initiation does not make you automatically a member of a certain community”; however, he does allow that “it can make you ready to join one”. Again, I’m inclined to agree. Too often one comes across claims of self-initiation into a mystery tradition; however, without recognition in the community, the validity of this initiation does not carry much weight, though it can provide a foundation upon which to connect and establish oneself.
I do have a few criticisms: the book is repetitive in places with a few quotes reused several times, and there are a few typographical errors and spelling inconsistencies in certain Celtic words, but these do not detract from the text overmuch.
Myers admirably marries Celtic history and lore with contemporary Druidic and neo-Pagan practice and belief, making The Mysteries of Druidry a good introduction to the path.
The Book of Druidry, by Ross Nichols
Thorsons/Element, 1855381762, 320 pages (incl. bibliography, index and black-and-white illustrations), 1992
Over the years, I am sure that hundreds, if not thousands, of books have been written on the topic of Druidry. Some of them have been scholarly, some have been fanciful, and most of them have been written by outsiders. Factual history of the movement is hard to find, for a number of reasons. In the early days there was a reluctance to commit the teachings to writing. Once some of the teachings began to be written down, they were condemned and destroyed by the dominant religion (Christianity). For the safety of its members it disappeared from the sight of the common man. It continued underground, as have many persecuted minorities.
This book has one major advantage over many of those other books. It has been written by a Chosen Chief of the Order of Bards, Ovates and Druids (OBOD). While he acknowledges the lack of historical data from the earliest times (“…the gaps are larger than the area covered by what is known.”), he has the advantage of access to what records do exist. He makes no claim to an uninterrupted lineage. In the past two hundred plus years, there have been numerous manifestations of the Druidic movement – from the OBOD, the Ancient Druid Order, the Secular Order of Druids, the Glastonbury Order of Druids, to the ADF started in the US by Isaac Bonewits. There have been, and continue to be, differences in emphasis.
In the words of Philip Carr-Gomm (one of the editors of this book) “Ross managed to combine three books in one: a history of Druidry, a guide to certain ancient sites, and an anthology of Druid wisdom.” It was certainly a necessity when it was written (1975) and it still is. It serves as a counterpoint to much of the romanticized nonsense written on the topic. It is thoughtful, considerate of varying opinions, and presented in a manner which is both educational and interesting.
The author perceives Druidry as a philosophy as opposed to a religion, which may offend some readers. Nonetheless, this is an important work on the subject and deserves to be read by anyone interested in the topic. Whether you agree with the conclusions of the author, there is a great deal of information and food for thought between these covers.
More modern books tend to confine their notes; it seems to me, to the back of the book, thus necessitating a constant back-and-forth to see what the notes say. Mr. Nichols used footnotes (i.e., notes at the bottom [foot] of the page) thus doing away with this. Personally, I much prefer the footnote style, if you don’t, well there aren’t a lot of footnotes to deal with, so it shouldn’t be too large a problem.
The Bibliography and Index are both short (three and five pages, respectively). While some of the referenced works may be hard to locate, most of them should be accessible through any reasonably large library or on interlibrary loan.
In all honesty, I almost didn’t order this book, as I wasn’t sure if I wanted to tackle the subject – since so much has been written on it in recent years. It was who the author was that decided me. I am grateful now that I did request it. It is informative without boring, and it is a fairly enjoyable read. If you are looking for a good book to read about Druids as they probably were, this is the book for you.
What is the Henge of Keltria?
The Henge of Keltria is an organization dedicated to the positive, life affirming spiritual path of Neo-Pagan Druidism we call Keltrian Druidism. The Henge exists to provide information and training to those interested in Keltrian Druidism.
What do you mean by ‘Neo-Pagan’ and by ‘Druidism?’
The word Pagan is generally used to describe pre-Christian religions that existed throughout the Western world. ‘Neo’ means new, so Neo-Pagan would literally mean new Pagan. Neo-Pagan is used to describe the people who are part of the revival of some of the beliefs and practices of these old pre-Christian religions. Neo-Pagans often drop the prefix and just call themselves Pagans.
Druidism is our modern adaptation of ancient Celtic religion. The priests of the ancient Celts were called Druids.
Who were these Druids?
The word Druid probably comes from the Greek word Drus, meaning oak, and the Indo-European wid, meaning knower. Literally, Druid means ‘oak-knower’. The Druids did not have many buildings for worship. The classical writers noted that the Druids’ preferred sanctuaries were forest clearings.
Although the Celts existed throughout much of Europe, the Druids were known to exist only in what is called the latter Celtic range. This area is basically Gaul and the British Isles.
The priestly class of these Celts were on an equal level with nobility. They included the Druids (priests), Bards (poets and musicians) and Seers (diviners). The Druids were held above Bards and Seers, and according to Caesar, had authority in peace and war.
The Druids met in caves, deep in the woods, and in buildings for study and training that could last as long as 20 years. All the Druidic teachings were orally transmitted, so little is known about their teachings.
How do we know what we know about the Druids?
Knowledge of the druids, and the ancient Celts in general, is found from direct archaeological evidence, from the writings of classical authors in Greece and Rome, and from folklore transcribed by 12th c. Christian scribes and scholars.
Didn’t the Druids build Stonehenge?
No, the Celts didn’t expand into Britain until between the 5th to 3rd c. BCE. Stonehenge was completed by about 1600 BCE. The Druids had enough astronomical knowledge to realize the significance of Stonehenge. They may have used Stonehenge, at least for observational purposes, although there is no evidence to support this.
Didn’t the Druids practice sacrifice?
The ancient Celts practiced sacrifice. It was written that the Druids were required to be present for all public sacrifice. Caesar described huge wicker works that were filled with grains, animals and humans and then burned. Other classical writers described sacrifice by stabbing and impaling.
There has been a wide range of opinion about sacrifice and its significance to the Druids. Caesar was attempting to show the brutality of the Celts, while some scholars compare these sacrifices to modern executions.
The answer probably lies somewhere between these two. The ancient Celts believed strongly in reincarnation. They did not fear death as most people in our culture do, because they knew that their souls would live again in another body. The Celts were described as having used criminals and political prisoners whenever possible. In the cultural context of the ancient Celtic people, sacrifice may have been the best possible treatment for these people.
Do the Keltrian Druids practice human or animal sacrifice?
No, we don’t. Over the centuries, religious thought has evolved. During the time of the Ancient Druids, blood sacrifice was seen as a powerful way of contacting the Gods. Today we recognize blood as a symbol representing he power that exists within all of us. In modern practice, we replace blood sacrifice with another representation of our power. We would use grain, a small piece of handiwork, or other positive representation of our devotion to the Gods.
Explain some aspects of Celtic belief that you emulate in your modern practices.
We know very little about the specific religious practices of the Celtic peoples. We have adopted the use of many Celtic Dieties that we know about through the study of mythology. Our rituals celebrate the cycles of life and the year. With the changing of the seasons we choose different Gods that best represent the things we associate with that season.
We have also adapted many Celtic symbols to our religion. We believe that these symbols helped trigger the connection the Celts felt between themselves and the Gods, and that it can do the same for us. For example, the Celts placed great importance in the number three. We have developed many associations of threes. We worship and revere the Gods, Ancestors and Nature Spirits. We associate them with the realms of sky, water and earth. We also associate them with the three aspects of our being: spirit, mind and body.
Another example: The only detailed account of Druidic ritual was written by the Greek historian Pliny. He described the gathering of mistletoe which was found growing on an oak tree. A Druid, dressed in white, cut the mistletoe using a sickle and allowed it to fall on to a white piece of cloth. This ritual took place on the 6th night after the new moon. From this account, we see that the Druids held some importance to the color white, and used a sickle. We prefer white robes for ritual, and have adopted the sickle for use in ritual. We also set aside the 6th night of the moon for our ‘Mistletoe’ Rite.
You use the term ‘Gods’. What is the Keltrian view of Deity?
We see Deity in many different aspects, both male and female. These different aspects of Deity each represent different aspects of life, nature and the seasons. We use appropriate aspects of Deity throughout rituals and our lives to help us maintain our contact with Deity. The idea that these aspects of Deity are in some way separate from each other is called polytheism (many Gods). The idea that these aspects are part of a larger whole (often called the unmanifest) is called pan-polytheism (pan means all, like in pan-American). In Keltrian Druidism, we see both polytheism and pan-polytheism as valid views of Deity.
We believe that Deity exists in all living things. We see each human, animal and plant as a unique expression of the Divine. Some Druids extend this view to what are normally considered inanimate objects as well. They see Divinity in many places such as mountains, rivers, and the wind. This idea, that inanimate objects are in some way living is called animism. Keltrian Druids are animistic at least to the level where they see the Divine within plant life.
What are the other beliefs of Keltrian Druidism?
The following set of statements encompass the major points of our values and world view:
We believe in Divinity as it is manifest in the Pantheon. There are several valid theistic perceptions of this Pantheon.
We believe that nature is the embodiment of the Gods.
We believe that all life is sacred, and should neither be harmed nor taken without deliberation or regard.
We believe in the immortality of the spirit.
We believe that our purpose is to gain wisdom through experience.
We believe that learning is an ongoing process and should be fostered at all ages.
We belief that morality should be a matter of personal conviction based upon self respect and respect for others.
We believe that every individual has the right to pursue enlightenment through his or her chosen path.
We believe in a living religion able to adapt to a changing environment. We recognize that our beliefs may undergo change as our tradition grows.
How do you worship?
Since we consider ourselves a nature religion, the ideal place for our rituals is outdoors, preferably in the woods or another place away from cities and ‘civilization’. This is not always practical, especially during winter, so we worship where ever it is convenient. The purpose of our rituals is to celebrate the Divine and have communion with the Gods and each other. We do this mainly through meditation, prayer and invocation to the Gods, Ancestors and Nature Spirits.
Most of our rituals are done around a sacred fire (or sacred candles for indoor rituals). Our rituals involve the participation of everyone in attendance. We distribute the ritual functions among several people, rather than have everything done by a priest and priestess. Our rituals also involve the participants through a good deal of singing and some dancing.
When do you worship?
Instead of worshipping according to the modern Calendar, we choose our times of worship according to the cycles of the Sun and Moon.
We celebrate two lunar rites. They are called the Mistletoe Rite and the Vervain rite. Pliny wrote that the ancient Druids collected Mistletoe on the 6th night of the moon (roughly the first quarter). Because of this, we celebrate our Mistletoe rite on the 6th night of the moon. Since mistletoe was known as the ‘all heal’, one of the themes of this rite is healing. This theme extends to healing of our community, through a sharing of food and drink at the rite. The Sun and moon are in a position of equilibrium at this time, so we also see this as a time of balance, where we seek to find balance in our livs.
Our other lunar rite is the Vervain rite. The time of this rite was also chosen from classical writings of ancient Druidic practices. It was written that Vervain was gathered when neither the sun nor moon were in the sky. This occurs sometime during each night, except when the moon is full. We generally celebrate tis around the third quarter. This is gives us ample time for the rite uring the evening hours. It also places this rite opposite the Mistletoe Rite in the lunar cycle. Vervain was said to be of aid in working magic. We have thus made the Vervain Rite our time for working magic. Druidic magicis not like stage magic that is done to entertain. The purpose of magic in a Druidic sense is more like prayer. We work magic to help effect change in our lives. Drudic Magic may involve contemplation, meditation, ritual or ecstatic dance.
We also celebrate 8 holidays through the year. These holidays originally come from two separate cultures. The solstices and equinoxes, which celebrate the cycle of the sun, came from one culture, and the ‘cross quarters’, which mark the agricultural and pastoral seasons of the Earth, came from another. These holidays were all adopted by the Celts. In our modern rites, we also relate the cycle of the year to the cycle of our lives. We choose a specific God and Goddess (Patron and Matron) to honor at each rite. These figures each represent a different aspect of our lives, from youth and vitality to age, wisdom and finally death. As the year gets older, the Patron and Matron get older.
Each rite, along with a description of the major theme and God and Goddess chosen aredescribed below:
Samhain (October 31st) celebrates the last harvest of the year. Samhain literally means ‘summers end’ and is the Celtic new year. It is a time of endings, when the last harvest is completed. It is also a time for beginnings, when we set goals which we will track through the coming year. Dagda and Morrigan are the Patron and Matron of this feast. Dagda represents the bounty of the harvest, and the Morrigan represents the ending of the year.
Yule or Winter Solstice (December 21st) is a time of new beginnings. The sun is at its lowest point, about to begin its renewal as the days will start to get longer. The Dagda continues as the Patron of this rite, his cauldron of Bounty sustains us through the Winter. Bridget is the Matron of this rite. She is a bringer of light and represents the rebirth of the sun’s light and the fire that burns in our hearths (or fireplaces!)
Imbolc (February 2nd) is still a time when we feel the cold of Winter. The Celts saw the first signs of spring during this time. The ewes began to give milk and the Celts were able to take the first of the Earth’s gifts that year. As the fire of the sun continues to grow, Bridget continues as Matron for this rite. Angus Og, the God of Young love, comes in as Patron.
Spring Equinox (March 21st) is when the sun is at the midway point between winter and summer. The Earth is waking from its winter slumber. Depending on our climate, the snow may still be melting, or new plant life may just be starting to grow. In any case, the Earth is definitely warming up. We relate the spring with love as the mating season starts, Angus Og continues as Patron. Boann, who represents fertility and growth becomes the Matron of this Rite.
Beltane (May 1st) brings planting of the new crops. By this time the plans we began at Samhain and refined though the winter should start taking physical shape. Boann continues as Matron. Bile’, for whom this rite is named, comes in as patron. Bile’ represents the still increasing fire of the sun and fertility.
Summer Solstice (June 21st) is the time when the sun is highest in the sky. At this time the sun is at a balance point. Since the Winter Solstice, the sun has been climbing higher and the days have been getting longer. Now the sun reverses itself, and begins to get lower in the sky, until it returns to its lowest point at the Winter solstice. It is a time of ripening, when the fruits have grown and start to ripen. Bile’, represents the glory of the sun at its highest point. Danu, the all mother, comes in as Matron. She represents motherhood, pregnancy and nurturing.
Lughnasadh (August 2nd) is the time we start to notice the sun is loosing its strength. It is also the time of the first harvest. Danu continues as Matron. Lugh, who this festival was named for, comes in as Patron of the rite. Lugh represents the harvest, and the sun.
Fall Equinox (September 21st) is celebrated when the Sun is half way between Summer and Winter. The plans we made last Samhain should be near completion. Lugh continues in his role as Patron, representing the declining sun. Morrigan starts her role as Matron now, and continues into Samhain.
How can I find out more about the Henge of Keltria?
The Henge of Keltria publishes a quarterly journal, and other resources including a new members handbook, a correspondence course and this pamphlet. If you would like to explore Keltrian Druidism further, write to us at:
Henge of Keltria
P.O. Box 4305
Clarksburg, WV 26302
Please enclose an S.A.S.E with your request.
Note: Address updated 30-11-03.
The stock ADF ritual outline, published in Druid’s Progress #4, calls for a processional. The purpose of the processional is consecrate and define sacred space and time. The processional starts people thinking in a magical mood, and separates normal activities from the ritual.
Processionals work well when you have lots of space, such as at a festival. You need space to give people time to change modes of thinking. A short walk doesn’t give you enough time for this beginning centring. For those of us who don’t have a quarter mile long area to march in, there are alternatives.
Shadowpath Grove, in Connecticut, used the ideas of Gates that each person passes through on the way to the circle. The first time I saw this was Samhain 1987. In 1988, the group that I work with, that was to become Shadow Weaver Grove, in Massachusetts, started using a similar style of Gates. At first, the Gates were basically Wiccan/Amerind in conceptualization. Since then, our concept and implementation has changed. In the fall of 1989, after we decided to apply for Grove status, we reworked how and in what order the Gates were laid out and who and how they were manned (personed?).
Shadow Weaver Grove meets in what was an overgrown garden. We spent many weeks clearing the brush and cutting a path down to the circle. The path is about three feet wide and fifty feet long. Along the path there are four gates, Lands, Waters, Sky, and Fire. The layout is based upon the ADF cosmology.
The first Gate a person passes is that of the Land. Here they are asked “What is it that you wish of the Gate of Land?”. After they ask their question, or optionally, not verbalize it, they are marked on the forehead with mud. They then pass down the path to the Gate of the Waters. The same thing occurs using water sprinkled upon their head. At the Gate of Sky, a feather or fan is used to blow upon them. The last Gate before the circle is that of Fire. At the Gate of Fire, the keeper says nothing, but smudges them with incense. Since the Gates are tied into the ADF cosmology, the question asked at the Gate of Waters, deals with Warriors or ones Ancestors, as opposed to emotions.
At the beginning, only the Gate of the Lands is occupied. The three other Gate Keepers lead off, Waters, Sky and finally Fire. The person at the Gate of Fire has a bell that tells when the next person is to come down to the next Gate. This puts four people on the path, one person going through each Gate at all times. When all of the other attendees are through, the Gate Keepers pass through down the path. Each Gate Keeper ends up marked by the other three.
Later on, the four Gate Keepers hold down other roles. As mentioned above, the Gate of Waters is tied to the Ancestors and Warriors. When it comes time to consecrate the Waters of Life, the Gate Keepers are the ones doing it for their world.
As time goes on, we hope to be able to tie all of it together. The Gate Keepers will wear clothes of the related colour and style, and have implements of the related type of wood.
So far, we have found that this division of consecrations among the Gate Keepers, has worked well. The Gates are also well thought of. The table of correspondences between the Three Worlds, and the other categories is laid out below.
REALM ENTITY CASTE TREE COLOUR ---------------------------------------------------------------- Underworld Demons Slaves Unknown Unknown Land Nature Spirits Producers Birch Unknown Waters/Sea Ancestors Warriors Yew Unknown Sky Gods & Goddesses Clergy Oak White Fire High God/dess King/Queen Mistletoe Unknown
Technically speaking there are basically three types of Druidry. The “Triad of Druidry” as I have come to call it, is essentially broken down into three very distinct categories.
The first group, of which most people are the most familiar, is the Neo group that includes the ADF, Henge of Keltria (if it’s still around), the RDNA and NRDNA (Reformed and New Reformed Druids of North America), and similar smaller groups. They are characterized by a heavy blending of Druidic and quasi-Druidic qualities with, well, everything else- the “eclectics” of Druidry if you will.
The second group I like to call the “Across the Pond-ers” because most of these traditions are either completely in the British Isles or have heavy roots over there. These include the OBOD, British Druidic Order, and so forth. What makes them unique is that they are neither trad nor eclectic, and base many of their rituals and codes by the surviving works of Roman authors (such as the infamous Pliny and Caesar). These groups tend to perpetuate the white robe gold sickle myth, and still venerate Stonehenge as a creation of Druids (which it isn’t).
The third category consists of the Trad groups. Trad (simply short for Traditionalist) Druidry differs from Wicca (and even many of the other Druidic groups) in a number of ways. Because my heritage is that of Welsh and Germanic, I keep to the ways and the pantheons of my ancestry. Trad Druidry has only three elements as opposed to four (or 5 depending on how you look at it), it follows Brehon Law instead of the Wiccan Rede, and we avoid the “white robes and gold sickles” stereotype because we realize how flawed that misconception is.
Unfortunately, websites that do Trad Druidry justice are incredibly rare, and I have a past time hobby of building one. There is one mass market book (amazingly from Llewellyn!) that does do a moderately fair job of discussing the elements of Trad Druidry called Druid Magic by Maya Magee Sutton. As is usual with most Llewellyn books, it has a hefty fluff element, but it at least bothers to mention things like the importance of the Tains, or myth cycles, that are so crucial to the religion, the origin of the Aurthurian myth, the oft forgotten symbology of the lance, cauldron, cup and dish. Probably it’s best feature is its discussion (though limited) of the Brehon Laws and the interpretations and tie-ins of the Tains.
Tain is actually a word used to describe a class of Celtic literature known by those who travel the literature circuit as the Ulster Cycle. It got this label from the most well known of this group of tales, the Tain Bo Cuailgne (The Cattle Raid of Cooley). There are many other epic stories under the category of Tain, all dealing with heroic deeds of various legendary figures. I have actually been stretching the use of Tain to cover all of the different types of Celtic literature, which I guess I shouldn’t do because it is inaccurate.
There are four types of literature in all, The Ulster Cycle, The Fenian Cycle (featuring Tóraigheacht Dhiarmada agus Ghráinne” or The Pursuit of Diarmaid and Grainne), The Historical Cycle (also called the Cycle of Kings, featuring Buile Shuibne or The Madness of Sweeney), and the Mythological Cycle (which tells the story of the Tuatha De Danaan). These terms are, of course, modern, created by present day scholars who study and translate items related to Celtic culture.
If you are interested in reading some of the Tains, allow me to recommend the following: The Tain Translated from the Irish Epic Tain Bo Cuailnge by Thomas Kinsella The Mabinogion (Penguin Classics) by Jeffrey Gantz, Celtic Lore by Ward Rutherford, A Celtic Miscellany by Kenneth Hurlstone, Classic Celtic Fairy Tales by John Matthews, The Epics of Celtic Ireland: Ancient Tales of Mystery and Magic by Jean Markale as well number of works by Miranda Green, John Matthews, and Caitlin Matthews. If you do decide to read the Tains, be forewarned that many of the names and places in these tales are incredibly hard to pronounce! You can’t even read the Mabinogion with out a pronunciation guide, and A Celtic Miscellany is about the same way.
It is always very hard to sum up an entire religion in a sound byte, but it is also important to highlight the markedly different approaches to the holidays. Samhain is our New Year, and is also the time for new agreements, contracts and marriages. Oaths made on Samhain Eve and are later broken is to invoke a curse upon yourself. Like Wicca, it is also a time of commemoration of the dead and communication with spirits. Souls of the deceased are gathered up on this night, and this is why (for us) the Veil between worlds is pulled thin. It is also the point in the year when the Sun dies to be reborn at the Winter Solstice.
The Winter Solstice is a light festival welcoming back the sun and the coming of longer, warmer days. Hearthfires, bonfires, candles and torch parades mark this turning point holiday. It is one of the two days in the year that is considered a primarily masculine holiday.
Oemelg (or Imbolc) is the first big feast holiday, where we celebrate the renewal of life. It is based on calfing and it was used as a mark of the year’s bounty to come. We celebrate by decorating the house (or gathering place) with buds, early flowers and leafing branches, and a feast including items like rabbit, lamb, and suckling pig, and also going around through the fields (or woods) making lots of racket to wake up the earth.
The Spring Equinox is the beginning of the planting and growing season, and it is also (like all of the holidays after Samhain) a festival of sympathetic magic. We feast and light fires to symbolically lend strength to the sun which is beginning to finally turn back the tides of darkness and cold. There is also dancing (or parading) through field and forest to energize the crops.
After that comes Beltane, and even though Trads know we did not use a maypole I have adopted it anyway. Aside from the marriage thing, Beltane is the most similar holiday. Fertility, sexual energy, the whole Spring Fever bit.
The Summer Solstice is the other big male energy day for us, for it is the zenith of the Sun’s power and begins to gradually fade at that point. We do something remotely similar to a Drawing Down of the Sun, and we honor the men in our lives.
The Autumn equinox is the first harvest festival and the day we call Lughnasadh. This that demonstrate physical and mental prowess. We also display our knowledge of the three Sacred Arts of Music, Dance and Poetry or Satire in addition to our skill level in whatever grades we have completed, which for me would be history and herbalism because of my adcent through the Bardic and Ovate grades. It is the day that we prove ourselves worthy to continue as Druids, which all boils down to being a civil servant. Public duty is the cornerstone of Trad Druidry.
Sadly, there is no one site that compares one “brand,” if you will, of Druidry to another. The best thing to do is to compare the homesites of the Big Three of Druidry: http://www.adf.org/core/, The ADF http://www.druidry.org, OBOD – The Order of Bards, Ovates and Druids http://www.uoguelph.ca/~bmyers/druid.html (The closest thing to a representative Trad Druidry page).
I hope I was able to shed a little light on the obscure tradition that is Trad Druidry, as well as fairly demonstrate the diversity among Druidry as a whole. If you are interested in knowing more or would like a suggested reading list, I’ll be glad to oblige. Let me know what you think.