I Crowley: Almost the Last Confession of the Beast 666, by Snoo Wilson
Mandrake of Oxford, 252 pp., 1997, 1999
A novel written as an autobiography of Aleister Crowley, I, Crowley depicts the years he spent in America, where he first met Leah, and the occurrences of the Abbey at Cefalu, concluding with Raoul’s death there.
It has been nearly sixty years since Aleister Crowley’s death, fifty at the time of the first publication of this book. A controversial figure in his time, he remains so today. In Crowley’s voice, Wilson writes: “The comic contradictions degenerators’ various ‘takes’ on my character are simply the price paid for individuality, and can be safely ignored by seekers after truth”.
One can sympathize with this view, though in fact the presentation of his character, life and writings are often heavily filtered by both his detractors and advocates alike; and depending on the final image desired, details are carefully selected to support these views. Fortunately, Wilson spares us such vulgarities, and attempts to capture Crowley’s spirit and style, and he is almost successful – a high compliment.
Wilson demonstrates his extensive knowledge of Crowley’s life, works, attitudes and mannerisms, as well as the contradictory nature of the Beast himself in exploring his inner workings.
The chapter headings follow the trumps of Crowley’s Thoth Tarot deck, and numerous footnotes and illustrations serve to further inform the text.
Irreverent and often funny, I, Crowley is a wonderful read; recommended.
An Insider’s Guide to Robert Anton Wilson, by Eric Wagner
New Falcon Publications, 156184165X, 237 pp. (incl. appendices and bibliography), 2005
One would have thought the only insider to Bob’s head would be Wilson himself, and yet Eric Wanger has corresponded with RAW over the past twenty years, first via snail mail, and later by e-mail. After twenty years of communication he must have some insight into Wilson’s inner workings, and his efforts aren’t half bad from this outsider’s perspective. Wilson must agree, as he’s written a preface, introduction and overture for the book, though while he may have helped with the infomercial, I think it’s mostly Wagner’s work.
The text also includes a list of the books by RAW, including the Maybe Logic DVDs, an interview, and a lexicon explaining the symbolism behind some of Wilson’s material, though curiously there’s no mention of Greg Hill, co-founder of Discordianism. Actually, Wilson’s exact relationship to Discordianism is never discussed in depth, despite it being a major subject and theme (directly and indirectly) in many of his works.
But perhaps the most useful chapter is Appendix Samekh, in which he goes through the Illuminatus! trilogy in its ten parts and describes the many kabbalistic correspondences and obscure references, seemingly resulting in one massive rolling ball of coincidence and magick and the Illuminatus! timeline.
Unfortunately the book is severely repetitive, for example, the critter story told at least twice (not to mention I’d read it before this book), and William Burroughs cut-ups are explained at least three separate times. In fact, one passage is quoted twice in the same essay.
As Wagner points out, reading Wilson leads to other writers, through reference and obvious influence on his works, ‘[his] style derives directly from Ezra Pound, James Joyce, Raymond Chindler, H.L. Menken, William S. Burroughs, Benjamin Tucker, and Elephant Doody Comix, in approximately that order of importance’. In fact, Wilson gave a list of ten recommended books in a 1996 magazine, later with supplements, and Wagner has gone through them, giving commentary on his reading experience.
There are other irrelevant bits that seem thrown in for no apparent reason, such as vacations and family photos from Wager’s trips to Dublin, Amsterdam, Egypt, etc. For example, there’s one photograph of a man standing in front of a dark wall with a sign reading ‘James Joyce Pub’, evidently taken in Zürich, with the caption ‘Great picture of my dad…’ on page 213. Sure it is Eric, I just don’t quite get what it has to do with Robert Anton Wilson.
So is it an insider’s guide? Well, while there are some useful and interesting bits to be found within its pages, for it appears mostly to be a somewhat disjointed account of Wagner’s unique appreciation and admiration of the man, rambling and repetitive as it is.