“Clear off your desk,” she said.
I was in the office of my college newspaper finishing up an article. Earlier that day, my friend attended a poetry reading where I read a sonnet I had specifically written for her. She held a copy of it now.
My editor returned earlier than expected and caught us doing a different kind of work at my desk.
It was then I realized that I could seduce with a sonnet. That I didn’t want to be someone else’s muse. And that Yeats was right—writing was indeed a form of magick. I wanted to be the magician. Continue reading
By 2010 I’d been a practicing magician for some 15 years. I’d explored Paganism, Satanism, chaos magick, ceremonial magick, various forms of divination, and so on. I underwent the Abramelin ritual and was underwhelmed by the results. I felt I’d gotten as far as I could on my own, and I wanted to meet with people who were dealing with the same challenges I was. People I could talk to face-to-face, and share coffee with. I wanted to really feel like part of a community — an offline community. Much as I loved the online communities I’d found (the zee-list, chaoskaos, alt.magick.*, Irreality, etc.), I need to find people I could see. People I could learn from.
Whatever else I think of Aleister Crowley, I believe he was an exceptional magician, and many of his books remain the best ever written on practical magick. The Ordo Templi Orientis, the order he entrusted his legacy to, seemed a likely choice. I got in contact with my local lodge, and, after some months, finally met with representatives from that lodge at a pub. They seemed like good folk, and, after a few more months, I was in.
Entering altered states of consciousness has a dramatic effect upon a ritual. Everything becomes more profound, from the smell of the incense, to the colour of the candlelight, to the feel of your wand in your hand. The objective here is not to enter into a full trance, instead these three techniques allow the ritual magician to expand their consciousness while remaining active on the material plane. They are well suited to everyday practical magick. None of the techniques described here require the use of drugs. Continue reading
When the chips are down we all need a little bit of luck. An incantation is a deceptively simple spell designed to come into effect when read aloud. They are dramatic and powerful; ideal when you need to change your fortunes. Through experimentation I have developed a system for writing effective incantations. Writing an incantation is very much like writing a song or poem. All three arrange words to create something greater than the sum of its parts. Continue reading
There is no tool more readily identified with magick than the wand. During rituals the wand serves to channel, amplify and project energy. In the process of crafting a wand you project your will into it and create something which is uniquely your own. The connection you have with your wand will aid the flow of energy during rituals.
The process for crafting a wand is surprisingly straightforward. It can easily be adapted for creating a staff, which is essentially just a wand large enough to serve a practical purpose as an aid to walking.
There are many materials from which a wand can be created including quartz, bone and iron. The advantage of wood is that it is easily worked without the need for specialist tools or skills. Continue reading