I was first introduced to the subject by some English bloke on IRC in a random Wiccan chatroom who later, through a series of unlikely circumstances, became my partner. He introduced names I’d never heard of before: Austin Osman Spare, Peter J Carroll, Robert Anton Wilson – people with three names writing weird and wonderful things. Continue reading
Earlier we looked at the role of “accuracy” in tarot, particularly in comparison to fortune-telling. A key point to take away from this is that, in tarot reading for a client or even for oneself, the main goal of any divinatory reading is to provide information that is useful to the querent.
Whether or not the future is set can become irrelevant when the cards clearly foretell disaster for the querent. When the cards spell doom, deciding how to relate that to the client can be tricky. Changeable or not, it’s rarely something a querent wants to hear, and depending on who the querent is it can be more detrimental to share this information than not. Continue reading
Over at Rune Soup Gordon introduced a book game with the following guidelines:
How would you introduce someone to magic using only books? He or she has a month in a lake house and will read whatever you tell them in the exact order that you tell them to. Not even any peeking at other books on the list.
It’s a good game, for the full list of rules and to participate, click here. You can see Gordon’s picks here. I offered my response in the comments section, but I thought I’d share it here too, with a little more about why I chose these books in particular.
My aim was a little different than Gordon’s, I took the game as a chance to create a new magickian from a complete skeptic, not to create a mini-Psyche – that would have been a different list altogether. Perhaps a project for another day.
Without further ado, here’s my list: Continue reading
Abraxas isn’t just “An International Journal of Esoteric Studies”, this first issue is also an art book. At 290mm x 232mm it’s a large quarto, beautifully bound, and printed on high quality paper, including a handtipped sheet. Richly coloured paintings are beautifully reproduced, along with many lovely illustrations in monochrome. And then there’s the text.
This first issue focuses largely on witchcraft, and while I can’t detail every essay that appears, I would like to highlight several that I felt stood out in this already exceptional collection.
Stephen Grasso’s piece “Skip Witches, Hop Toads”, illuminates Continue reading
Magick is the Science and Art of causing Change to occur in conformity with Will. — Aleister Crowley