Traditional Witchcraft for the Seashore, by Melusine Draco
O Books, 9781846944260, 159 pp., 2012
The majority of books I encounter on the subject of witchcraft and Wicca fall into one of two categories: they are written for rural witches, or for urban witches, as though those are the only two options. If you believe the stories of how things were in the “bad old days,” witches were seldom found in either of those two settings. They were most often found in the transitional (or “liminal”) areas – the last house in the village just before you entered the countryside, or the first house after such a point. They weren’t living in the wilds, but they weren’t comfortable in the daily to-do of the village centre either.
This book addresses another transitional space: the seashore. Continue reading
Magic Without Mirrors: The Making of a Magician, by David Conway
Logios, 9781463761724,336 pp., 2011
For a large number of individuals of a certain age, Magic: An Occult Primer was the introduction to the world of magick. At the time there wasn’t a whole lot of information about the author available. In the intervening years The Magic of Herbs and Secret Wisdom: The Occult Universe Explored were also produced by the same author, but without (to my knowledge) as much acceptance and fanfare.
This book is essentially Conway’s autobiography. It is filled with amusing anecdotes and enlightening background information. It also contains snippets of magickal information as well, though that is not its primary purpose. Continue reading
Advancing the Witches’ Craft, by Marcus F Griffin
Megalithica Books, 978-1-950713-54-7, 229 pp., 2011
This book is most definitely not a 101 guide. The author makes it abundantly clear that he is not going to spend time laying basic foundations for the exercises he details. If you don’t already know how to meditate, or move energy, or visualize things, you will want to give this particular volume a pass. It is about time, however, that a book like this comes onto the market.
Griffin is also not afraid to call it as he sees it. Just because something is the “accepted” way or view, doesn’t mean that he has to accept it. You should (almost) never cast a circle widdershins, right? Why? Energy is either positive (good) of negative (bad), right? Who says so? Continue reading
The Path of Druidry: Walking the Ancient Green Way, by Penny Billington
Llewellyn Worldwide, 978-0-7387-2346-4, 384 pp, 2011
When dealing with the topic of Druidry there are inherent dangers. One can present a scholarly look at the few remaining historical references to the Druids and the speculation which has raged around them, one can present romanticized imaginings and call them “ancient secrets passed down in an unbroken succession through the ages”; or one can simply say “Here is what we know and this is how we relate to it in a vastly different world.” The latter is the method I personally prefer, it allows one to start from a solid base and then modify as required by the needs of the 21st century.
The approach to Druidry which Billington espouses is that of a living, evolving religion, and that seems eminently reasonable and practical to me. It is one which will allow the individual to discover the truths which work for them, while still providing a base of knowledge which will be acceptable to many others who follow a similar path. Each individual, ultimately, follows a unique path and has a unique perspective on religion and the religious experiences encountered along that path. Continue reading
Sacred Sounds of the Female Orishas: Rhythms of the Goddess, collected by Raul Canizares
Destiny Recordings, 1-59477-071-9, 60 mins., 2005
Raul Canizares, who collected and produced the recordings which are the basis for this CD was the head of the Santeria Temple Orisha Consciousness Movement in Manhattan, and the author of Cuban Santeria, as well as the producer of another CD , The Sacred Sounds of Santeria.
The emphasis of this collection is the female aspects of divinity. It helps to know some of the stories associated with these strong female images, although it isn’t absolutely necessary. The liner notes give a little sense of the strength of these goddesses. There are no shrinking-violets in this collection. Even the orishas associated with love are strong, independent figures. Their songs convey this as well. The rhythms are forceful and compelling. You can feel their presence and power as their songs are sung. Continue reading