Old World Witchcraft: Ancient Ways for Modern Days, by Raven Grimassi
Weiser Books, 9781578635054, 272 pp. 2011
Raven Grimassi is a name familiar to those of us who have been reading books on Wicca and witchcraft for a number of years as to date he has authored 14 of them. His background is varied and extensive, running the gamut from Rosicrucian studies and kabbalah and various forms of “traditional” witchcraft. This background allows him to approach the subject from a variety of perspectives.
In Old World Witchcraft Grimassi is presenting his take on the argument that witchcraft is a survival of an ancient pre-Christian religion. One thing I am sure of is that this book has the potential to polarize the community because of Grimassi’s emphasis on the Goddess as the primary deity of early witches, with the God perceived as an invisible presence. This is not the only sacred cow he goes after, although I must emphasize that this is not a malicious attack, but merely an attempt to show how the Christian concept of witches and witchcraft coloured the perceptions of everyone — including both medieval and modern-day witches. Continue reading
Temple of the Drum, by Dragon Ritual Drummers
CD: Dragon Ritual Drummers, 12 tracks, 55:34 min., 2011
I am extremely grateful that a friend pointed me in the direction of Dragon Ritual Drummers a few years ago. In the intervening years, I have had the pleasure and opportunity to receive and review several of their releases and I have yet to be disappointed by the quality of the performances and production values. These folks know how to use their instruments to attain the best possible results.
Almost all of their music is written by members of the group, though they do include a few traditional songs to add a little extra flavour and variety — “Fanga” and “Shaharazad” are examples on this album. Perhaps the most striking thing about their performances is that they don’t use “studio tricks” to make their recordings: there is no sampling from other sources, no instrumental enhancements of any sorts. What you hear is all natural, although it is possible Continue reading
Traditional Witchcraft for the Seashore, by Melusine Draco
O Books, 9781846944260, 159 pp., 2012
The majority of books I encounter on the subject of witchcraft and Wicca fall into one of two categories: they are written for rural witches, or for urban witches, as though those are the only two options. If you believe the stories of how things were in the “bad old days,” witches were seldom found in either of those two settings. They were most often found in the transitional (or “liminal”) areas – the last house in the village just before you entered the countryside, or the first house after such a point. They weren’t living in the wilds, but they weren’t comfortable in the daily to-do of the village centre either.
This book addresses another transitional space: the seashore. Continue reading
Magic Without Mirrors: The Making of a Magician, by David Conway
Logios, 9781463761724,336 pp., 2011
For a large number of individuals of a certain age, Magic: An Occult Primer was the introduction to the world of magick. At the time there wasn’t a whole lot of information about the author available. In the intervening years The Magic of Herbs and Secret Wisdom: The Occult Universe Explored were also produced by the same author, but without (to my knowledge) as much acceptance and fanfare.
This book is essentially Conway’s autobiography. It is filled with amusing anecdotes and enlightening background information. It also contains snippets of magickal information as well, though that is not its primary purpose. Continue reading
Advancing the Witches’ Craft, by Marcus F Griffin
Megalithica Books, 978-1-950713-54-7, 229 pp., 2011
This book is most definitely not a 101 guide. The author makes it abundantly clear that he is not going to spend time laying basic foundations for the exercises he details. If you don’t already know how to meditate, or move energy, or visualize things, you will want to give this particular volume a pass. It is about time, however, that a book like this comes onto the market.
Griffin is also not afraid to call it as he sees it. Just because something is the “accepted” way or view, doesn’t mean that he has to accept it. You should (almost) never cast a circle widdershins, right? Why? Energy is either positive (good) of negative (bad), right? Who says so? Continue reading