Grimoire of the Thorn-Blooded Witch: Mastering the Five Arts of Old World Witchery, by Raven Grimassi
Weiser Books, 9781578635504, 240 pp. (incl. appendices and bibliography), 2014
Plant spirits appear in the most ancient practices of Witchcraft. These primal entities possess power and knowledge that aids the Witches’ Craft.
Grimoire of the Thorn-Blooded Witch offers the magickal keys to accessing the spirits of the plant kingdom. Decidedly gothic, with many allusions to roses, thorns and shadows, the book’s formal, atmospheric tone is sure to stir magickal memories in the blood of those called to read it.
From the ancient practices of old world witchery springs the Rose and Thorn Path, a system Grimassi manifested after he “fell back into the brewing cauldron from which all things emerge.” He continues, “When I surfaced my self-identity as a witch of any specific cultural expression of witchcraft had dissolved away’. As a grimoire (a traditional book of spells) this book does not disappoint. It presents a usable system of witchcraft based on instantly recognisable archetypes. I have read a few of Grimassi’s books and feel this is his best to date.
The “mastering the five arts” subtitle suggests the book is aimed primarily at serious witches with some level of magical experience. As such I would have appreciated a deeper exploration of the origins of Grimassi’s chosen symbols and plants, but he writes with such authentic wisdom this hardly seems to matter. Central themes are natural divinity and spiritualism — the book deals not so much with plants themselves but the spirits inherent in and attached to them. By showing respect for “Shadow” (the collective wisdom of the earth and ancestors) the green mysteries can be entered. Continue reading
As Above, So Below
Directed by, John Erick Dowdle, 93 minutes, 29 August 2014
Scarlett, the main character, is an artifact hunter, à la Indiana Jones, driven by her pursuit for the elusive philosopher’s stone. She is looking for the physical stone of alchemical myth that grants immortal life and magical powers, and it is clear from the outset that the threat of death means nothing to her.
To appreciate As Above So Below, you may need to issue a few forgiveness tokens.
For a start, this is a found footage film. Scarlett begins recording the journey on her own and later recruits a friend to act as videographer capturing her quest. Cameras hang on, keep ticking (even surviving rocks!), and recording without losing much in the way of continuity. Continue reading
A Druid’s Handbook to the Spiritual Power of Plants: Spagyrics in Magical and Sexual Rituals, by Jon G. Hughes, illustrations by Damien Switzer
Destiny Books, 9781620552650, 310 pp. (incl. index), 2014
In the introduction, author Jon G. Hughes writes that he “began with the intention of comparing the plant-based preparations, rituals, and magic of the Welsh Druidic tradition with those of the broader and infinitely more documented spiritual traditions practiced all over the world.” However, he continues, writing that he “came in contact with the works of ancient and modern alchemists,” and his “fascination was spurred by the alchemical search for immortality and the involvement with sexual ritual, as both have their place in the Druidic tradition.”
In the first section, Hughes goes into detail about the history of Druidic practices and alchemy. He explains that each practice was created and spread in separate parts of the world, yet they are similar when broken down to their individual workings. Continue reading
Chemical Serpents: The Symbols of Illumination, by Anton Channing, illustrations by Janice Duke
When Illuminated Press, 978-1-909279-01-8, 100 pp. (incl. appendix, bibliography), 2013, Silver First Edition
I started falling in love with this book as it came out of the packaging. It’s tight, and has good, heavy cover stock and glossy high-quality pages. The cover art (an interpretation of Baphomet within an ouroboros) is a feast for the eyes and mind. The notebook-sized format, 8.5 x 11″, gives plenty of room for the text and lavish illustrations throughout its 100 pages. The print is done with accent colours, which takes a little acclimatization, rather like one’s first time playing poker with four-colour cards, but then the effect is pleasing.
The plan of the book is Pythagorean, in the sense that it starts with serpent symbolism, including the ouroboros, as the one, moves into egg-and-serpent and other generative symbols for the dyad, then has sections on the trinity, the four elements of the manifest world, then the pentagram, hexagram, and heptagram in the section on the microcosm and macrocosm before synthesizing in the long chapter on world trees, and ending in a Gnostic lecture on illumination. Continue reading