The Gorgon’s Tarot, by Dolores Fitchie
Schiffer Publishing, 9780764345906, 79 cards, instruction booklet, 2014
The Gorgon’s Tarot is an unusual deck: the cards are round, and the images are predominantly black and white. “Gorgon” appears to be a nickname for Dolores Fitchie herself, and also serves as the patron creature presiding over this deck, in particular, Euryale, the gorgon who defied the gods, seeking knowledge and truth.
The cards began life as a graphic project, not a divinatory tool, and The Gorgon’s Tarot was more than 10 years in the making. The black and white design is deliberate and is intended to remove colour symbolism, which Fitchie finds distracting, and has no interest in. There are two cards that contain splashes of red: The Blind Gorgon and the Devil. When they appear, the bright flashes of red make these cards seem all the more startling. Continue reading
Holistic Tarot: An Integrative Approach to Using Tarot for Personal Growth, by Benebell Wen
North Atlantic Books, 158394835X, 896 pp (incl. notes, appendices, and index), 2015
Holistic Tarot is useful as a tool for personal growth and study, with fresh ideas for tarot enthusiasts from a variety of backgrounds. Tarot practitioners can glean inspiration and find structure for instruction, spiritual and magical use, yet at the same time, an argument is made that much of tarot’s usefulness comes not from mysticism but from analytical psychology.
Including notes, appendices and index, Holistic Tarot is nearly 900 pages, and is chock-full of tables, spreads, and writing that is practical, comprehensive, and transformative. The book itself is more than a vast instruction manual for tarot practitioners from novice to skilled levels, Benebell Wen also encourages its use as a volume for teaching tarot. It includes information for numerous disciplines, giving a nod to the Tree of Life, astrology, numerology and the author’s roots in eastern thought, with the I Ching, a Ba Gua spread, and a sprinkling of the concept of qi throughout. Continue reading
On page one of my book Holistic Tarot, I wrote, “I do not support fortune telling.” When I sat down to write my book, I made the conscious decision to state my position on that particular issue. I wanted to pull professional tarot practice outside the scope of anti-fortune telling laws that are still enforceable in many parts of the United States. More than that, my position comes from a definition of what fortune telling entails that might differ from Western perspectives, a personal definition influenced by the Chinese theory on fortune telling. I hope this article will provide context for my position.
While I wouldn’t dare assume that all Chinese metaphysicians think the same about fortune telling and divination, by general practice the Chinese metaphysical view seems to make a clear distinction between fortune telling and divination. In Chinese, 算命 (suànmìng) is fortune telling;卜筮 (bǔshì) is divination. Continue reading
Benebell Wen’s first book, Holistic Tarot, has just been published with North Atlantic Books. Holistic Tarot is a comprehensive guide to tarot, great for beginners just learning the cards, intermediate students needing guidance to get deeper into the cards, and business tips for professionals.
In this chat, we talk about Benebell Wen‘s first deck, fortune telling, Eden Gray’s influence, and reading tarot for teddy bears. Continue reading
Trees of the Goddess: A New Way of Working with the Ogham, by Elen Sentier
Moon Books, 9781782793328, 101 pp., 2014
For millennia, trees have been held sacred among indigenous cultures and great civilisations alike. Tree mythology features in all major world religions. Trees speak deeply to our human collective unconscious, as symbols of otherworld connection, longevity, nourishment, and the mysteries of transformation.
To the ancient Celts, certain trees held special value as a magickal alphabet known as the ogham. Trees of the Goddess is a short book describing these sacred trees in the context of the mystical “Song of Amergin,” translated by Robert Graves in The White Goddess. While the ogham’s popular use as a calendar is loosely based on Graves’ work, his interpretation has been disputed (in true Pagan style) as a corruption of original sources. Continue reading