Tag: witchcraft

Everyday Witchcraft, by Deborah Blake

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Everyday Witchcraft, by Deborah BlakeEveryday Witchcraft, by Deborah BlakeEveryday Witchcraft: Making Time for Spirit in a Too-Busy World, by Deborah Blake Llewellyn Worldwide, 9780738742182, 240 pp.,  2015Deborah Blake is a witch of many hats; she's an artist who runs an art co-op, High Priestess of Blue Moon Coven since 2004, and author of six works of fiction and nine books on witchcraft. She knows her way around a busy life and in Everyday Witchcraft: Making Time for Spirit in a Too-Busy World Blake has compiled many short and sweet acts to encourage the everyday witch into taking a few minutes beyond the ordinary to tap into the world of the elements, deities, ancestors, and spirits.In this book, "witch" refers to a self-identified person, though one need not be a witch to learn from Blake's book. Though she uses the terms Pagan, witch and Wiccan interchangeably, it is clear that her approach is Wiccan. Her magical correspondences, prayer formats, and use of one goddess and one god, reflect Blake's training in Wicca. Regardless, she shows the reader of any path how to build small and meaningful cycles in their own lives in the small moments and spaces that can make a life magical. Read More

Iconic occult documentaries of the ’70s

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Still from Legend of the WItchThere's a certain something about occult documentaries made in the 1970s. Maybe it's the style -- the colours and tones are rich and vibrant and the wardrobe has a certain vintage feel that I love. Or maybe it's the content? Interviews with well-respected founders of contemporary traditions and footage of rituals conducted in spaces that I can only dream of visiting give me access to a time and place that no longer exists.The moods in these films shift back and forth from serious to slightly laughable; in one segment we get an honest and thoughtful sound bite from a well respected occult talking head, and in the next, a scene that is just a little too stereotypical; a naked woman grooving on an altar, middle aged English folk running skyclad in a circle, and lots and lots of black velvet attire. Read More

Bringing Race to the Table, ed. by Crystal Blanton

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Brining Race to the Table, edited by Crystal Blanton, et al.Brining Race to the Table, edited by Crystal Blanton, et al.Bringing Race to the Table: Exploring Racism in the Pagan Community, edited by Crystal Blanton, Taylor Ellwood, and Brandy Williams Megalithica Books, 9781905713981, 295 pp. (incl. author biographies), 2015A striking collection of essays, current and diverse, Bringing Race to the Table: Exploring Racism in the Pagan Community is a work of dedication and power. Crystal Blanton, author, editor of two previous books on the topic of diversity, Patheos blogger, Wild Hunt contributor and social worker -- in addition to a priestess and witch -- delivers a must-read text in conjunction with her two coeditors, Taylor Ellwood and Brandy Williams.Blanton does a stellar job showcasing voices from many perspectives. The diverse authors of the essays come from across the lines of gender, race, socio-economic class, spiritual practise, and education. Bringing Race to the Table makes room for many rarely discussed viewpoints, even in advanced circles or books. This makes for a full spectrum and undeniable look at the built-in mechanisms of discrimination that have followed so many of us from the overculture into Paganism. The calling-out and of racist, sexist, gendered, and classist behaviour is one string in the fabric Blanton weaves. Another is the choice to not perpetuate these actions in our own lives, but to turn toward the struggles many of our brothers and sisters live with daily. Read More

The Witch’s Oracle

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The Witch's Oracle, by Marla BrooksThe Witch's Oracle, by Marla BrooksThe Witch’s Oracle, by Marla Brooks, illustrated by Aunia Kahn
Schiffer Publishing Ltd., 978-0-7643-4931-7, 45 cards, 112 pp., 2015

Divination tools, be they card decks, runes, or pendulums, carry a certain resonance that an astute reader will feel as soon as they look at them, or hold them in their hand. This is largely how they decide to work with a particular tool. And so it was when I received The Witch’s Oracle.

As I opened the postal carton and looked at the box, it felt to me like Samhain. The box and the cards themselves are dark, velvety and deep, and reminded me of the richness of the traditional regalia witches wear on that sabbat. The red and black brocade card back becomes iridescent as the angle of light hitting it changes: quite stunning.

Card illustrations by Aunia Kahn are simple but not simplistic, depicting witch’s tools, symbols, and real and mythical beasts. Even if the cards were not labelled, you would not have to guess what they represent. The brocade used on the card back, in different colours, is used as background for some of the cards and works beautifully.

The box has a pull tab so there’s no struggling to open it, and the cards are small enough for easy shuffling. The booklet, with text by Marla Brooks, is small as well, as is the type size, which should have been bigger. Most of the pages have abundant white space, enough that some of it could have been used for easier reading.

The booklet contains sections on clearing, consecrating and charging the deck; how to work with the deck, including a couple of simple spreads; and card meanings. The latter is broken up into some background about the card’s symbol, the meaning of the card and a rhyming incantation to activate its energy. All sections were short, but enough to get some insight into the significance of each card drawn in a reading.

To test the deck I drew a single card, Skull, with the meaning of “carpe diem” and a reminder to not overlook the simple things in life. True enough for me right now, and a reminder I’ve received through other divination methods.

I also used the Witch’s Broom spread — a modified past, present, future spread — to explore the cards further. I drew Dreamcatcher to represent me; Spider to represent challenges I face; Owl to represent opportunities; and Triple Goddess, Ankh, and Chinese Dragon to represent the past, present, and future, respectively. The meanings of the individual cards relative to their positions — especially the Ankh card, representing the present — and the reading as a whole made sense to me.

The Witch’s Oracle is a good solid deck for beginners, either to the Craft or to working with cards. The cards are a fun way to learn about some classic witch symbolism and tools, just enough to whet one’s appetite to learn more from other sources. They’re straightforward enough and the spreads basic enough that someone just learning how to piece together a reading can receive useful information. And they’re pleasing to look at, with a real feeling of magick.

For someone serious about both the Wiccan path and card divination, I’d suggest starting with The Witch’s Oracle and then moving on to The Wicca Deck, which I previously reviewed. Between these two decks, one can gain a great grounding for further work with more intricate divination.

Silver Witchcraft Tarot Kit, by Barbara Moore

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Detail of the Ace of Pentacles, from the Silver Witchcraft TarotThe Silver Witchcraft Tarot Kit, by Barbara MooreSilver Witchcraft Tarot Kit: The Ancient Wisdom of Tarot, booklet by Barbara Moore, artwork by Franco Rivolli Lo Scarabeo, 9788865273104, 78 cards, 160 pp. booklet, 2014Illustrated by Franco Rivolli, The Silver Witchcraft Tarot is a Pagan deck that focuses on the cycle of the year and feminine energies. It draws upon traditional Rider-Waite-Smith Tarot (RWS) imagery as well as nature-based “magickal spiritual understanding,” says Barbara Moore.When opening the deck for the first time, its most striking features are the silver gilded edges and vibrant colours. The cards are easy to shuffle, riffling showcases the beautiful gilt edging, and the cardstock feels sturdy, but not too thick. The large box that houses the cards and booklet shows off the prettiest card in the deck, the Ace of Cups, and is great for storage, but a bit cumbersome for travel. Read More

The Witch’s Eight Paths of Power, by Lady Sable Aradia

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The Witch’s Eight Paths of Power, by Lady Sable AradiaThe Witch's Eight Paths of Power, by Lady Sable AradiaThe Witch’s Eight Paths of Power: A Complete Course in Magick and Witchcraft, by Lady Sable Aradia Weiser Books, 978-1-57863-551-1, 275 pp., 2014Lady Sable Aradia has been a practicing witch for a quarter of a century. Being a third degree initiate in the Star Sapphire and Pagans for Peace traditions, she has a depth of experience and knowledge of Wiccan practices that are of value for initiates and veterans alike. Her aim in this book is to explore the concept of the Eightfold Way. This term refers to a Wiccan practice that was introduced by Gerald Gardner in the 1960s. It involves eight steps on the path to developing magical abilities. Lady Sable Arcadia provides a compelling and contemporary view of this Wiccan tradition.The Witch’s Eight Paths of Power is written in clear and concise language that is both informative while holding the readers’ attention. The book begins with an explanation of the very foundation of magick: intent. Aradia details the importance of forming an exact and precise intent in order for a practitioner to will it to happen. For beginners who are struggling with the concept or the practice, the chapter outlines several exercises that can help improve creative visualization, facilitate meditation, and raise conscious awareness. The next two paths deal with the trance -- developing a state of consciousness in which to gain insight, heal, seek knowledge, and the Craft -- the practice of ritual magick. Read More

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