It’s nearing the end of the year and I get a familiar message in my inbox, “Will you be joining me for New Year’s this year?” I reply with a yes, and mark the day on my calendar as booked. As much as it sounds like it, it is not a date. It’s actually a large party where I will be reading tarot professionally.
Tarot readers often attend parties and festivals in order to earn income from their craft. Although festivals tend to be large and well attended, private parties can be much smaller and more intimate. The type of parties I read at, however, are quite large, often with hundreds of people in attendance.
For this particular event, I am one of three readers hired. We will all be together in the room, and may read up to 150 people each over the course of one evening, depending how busy it is. If this sounds impossible, believe me, it isn’t — it’s just exhausting.
Large events can be very lucrative for readers. Organizers, who may be from corporations throwing holiday parties, private party planners, or neighbourhood committees, and so on, like to have unique performers at their events, and everyone is at least a little interested in divination. The key to handling these draining events is thoughtful planning. Continue reading
Defining the magical practitioner in antiquity.
Jake Stratton-Kent on goetia.
If language is power, what’s in a name?
A compiled list of resources on pre-Hellenistic magick up until the late 1700s.
On treasure magick. Continue reading
Tarot Beyond the Basics: Gain a Deeper Understanding of the Meanings Behind the Cards, by Anthony Louis
Llewellyn Worldwide, 9780738739441, 383 pp. (incl. notes, appendices, and bibliography), 2014
Anthony Louis brings us an enriching and thorough examination of the modern tarot by first introducing us to its fascinating history. He begins in China, where the paper and cards was created, then to Egypt and the Mamluk slave soldiers who played games with a deck of 52 playing cards, much like today’s playing card decks. Then he travels into Spain where the court cards are changed to include Kings, horsemen and pages. In Italy is where the queens were added and the church became involved in their design.
Many readers of today have heard the rumours that the tarot is originated from the Egyptian pantheon, or that the 22 major arcana cards reference the 22 letters in the Hebrew kabbalah. Louis notes that this assumption appeared in an unsubstantiated paper that was published in Paris in 1781 by clergyman Antoine Court de Gebelin and the French occultist Comte de Mellet. The only reference that Louis could find about the tarot originating in Egypt was through the Mamluks and their love of playing cards. Continue reading
Tarot-inspired poetry can be a vehicle for ritual, reflection, joy, and for release. Creating it adds a new layer to the act of divination, requiring introspection and expression. Metaphor and mythology feed the imagination in tarot readings and when tarot is used for poetry.
A poet’s strongest tool, arguably, is metaphor, which helps interpret the significance of tarot cards. The sea on the Rider-Waite-Smith two of pentacles represents a bumpy, busy emotional or subconscious experience informs a card reader, and it is just this work that a poet does, with or without cards. Do not be afraid to consider those undertones in your cards, as poetry often draws from our depths, and the subtlest message of each card is easily fodder for poetry.
Poetry – and creative writing in general – provides opportunity for a personal journey. The results of creative, conscious efforts have no room for judgement. To explore your words is the means and the reward. Poetry is a unique language that condenses the larger universe and plays with anything the imagination offers. Poetry is allowed to roam and wander, or it may creep and crawl and gather details other forms of language will not. The poet is often a navigator, but in this style of writing, one should always let mood, inspiration, spirit or whatever you wish to call it, lead you. Continue reading