“Doing magic is about being responsive to the challenges of your environment – often a response borne out of necessity. The mistake that newcomers to practical magic often make is that, having identified a problem, they go looking for a ‘ritual’ or spell which they believe will remove it…For me, the crux of the matter is that ritual magic is fun. Moreover, ritual magic is a skill. A magical ritual is more than the sum of its parts. Ritual has elements of performance, and its own psychology; yet it would be a mistake to consider ritual to be merely psychodrama. Ritual can be broken down into the arrangement of sensory cues, voice techniques, gesture, visualization, movement, symbolism, role-shifting, and trance induction, yet it is more than any of this. Unaccountably, rituals, when performed, create an atmosphere – a space – in which something mysterious and wonderful may happen. If nothing else, ritual demonstrates how little we know of our potential, of ourselves, and the world through which we move.”
–Phil Hine, Prime Chaos
“The dilemma that we can find ourselves in is that we cane become obsessed with the “rightness” of the ritual, and we lose sight of the sacredness and devotional part of the ritual. We perform only out of fear of making a mistake or desire to make a good impression, rather than with reverence, out of obligation to perform the act rather than devotion, thoughtlessly rather than mindfully. Our focus narrows to doing the ritual precisely or correctly, rather than with love and commitment tot that which is beyond our ability to comprehend or understand.”
–Susan Quinn, The Deepest Spiritual Life
Cthuloid Dreams: A Collection of Occult Poetry, by DJ Lawrence
Chaosmagic.com, 115 pp., 2004
Inspired and influenced by the Discordianism, Lovecraft mythos and Setianism, DJ Lawrence has compiled a collection of poetry gathered over the years.
Often lyrical with delightful turns of phrase, Lawrence seems taken with decidedly darker themes, with titles such as ‘Bitter’, ‘Set’, ‘Death’, ‘Necronomicon’, and of course, the title-poem ‘Cthuloid Dreams’.
This is a neat collection of more than sixty short poems, whose evocative imagery would lend itself well to inclusion in darker themed rites.
Cthuloid Dreams can be purchased exclusively from Chaosmagic.com’s online store.
From: [Name Removed Upon Request]
Subject: The Lesser Banishing Ritual of the Pentagram
Date: Sun, 5 Dec 1993 06:43:43 GMT
The LBRP is called lesser because it acts lower on the Tree, in Malkuth. It utilizes the banishing pentagram of Earth, and no other Pentagrams. The Pentagram having four points corresponds to the four elements of Earth, plus a spirit point on the top. These pentagrams are derived from the Enochian tablets of the four elements laid out in a square (with the tablet of union above them). The banishing pentagram utilized here uses the point toward the Earth tablet, and banishes by drawing away from that point. These four elements are usually represented on the Tree of Life by drawing Malkuth with four parts. This ritual is traditionally taught in the first knowledge lecture where the candidate is preparing to enter the sephera of Malkuth.
The LBRP forms a multi-dimensional protective sphere around the person who resides in Malkuth. This sphere protects from all directions, including protection from astral or other attacks. This does not mean that walls of protection are appearing in other dimensions. The area of protection is around the person in Malkuth.
The SIRP and Hexagram rituals are called greater because they act higher on the Tree of Life. The points of the Hexagram representing the higher Sepheroth and planets other than Earth, with Tiphareth in the center. The invoking pentagrams utilize all four elemental pentagrams, not just Earth. They also use the active and passive spirit pentagrams, representing the invoking of the higher spiritual intelligences associated with the elements, rather than dealing with the elements themselves. These rituals are traditionally taught to the adept who has reached Tiphareth.