I first heard about Portland’s Vampire’s Masquerade Ball by chance. I was coming out of a period of intense navel-gazing and decided I needed to leave the house more often. I saw that my friend was a guest DJ at an ’80s goth dance night and decided I’d go for maybe an hour, make myself dance if I was feeling brave, then run back to my hidey-hole. But that’s not what happened. First, some very friendly people saw that I was new to the scene and introduced me around, and then I met Sean who, wouldn’t you know it, has attended the VMB from the beginning. Anyway, he told me about the ball and I was intrigued; it sounded like the perfect opportunity for me to make some sparkling entrance back into the wider world. Continue reading
Yvonne Aburrow is one of my sister writers at the Patheos Pagan channel and she’s also the author of the newly published book All Acts of Love and Pleasure: Inclusive Wicca from Avalonia Press. I had the opportunity to catch up with her recently and I asked her about her practice and her new book: what inspired it, what drove it, and how it connects to issues that are currently hot topics in the Pagan community.
Sable Aradia: So tell those who might not be familiar a little about you. What is your background in the Craft?
Yvonne Aburrow: I was initiated into Gardnerian Wicca in 1991. The thing that made me realise that I am a Pagan was reading Puck of Pook’s Hill, by Rudyard Kipling. I was lucky enough to find a coven that was also interested in our connection to the land and local deities and spirits. I am also interested in Hinduism, Taoism, and Norse, Anglo-Saxon, Celtic, Sumerian, and Roman Paganism, and my personal or household deities include deities from several different pantheons. I enjoy the earthy and sensual aspects of the Craft, and I believe that Wicca is a partnership with the deities, rather than them serving us, or us serving them. Continue reading
Voices of the Sacred Feminine: Conversations to Re-Shape Our World, edited by Rev. Dr. Karen Tate
Changemakers Books, 978-1-78279-510-0, 394 pp., 2014
Voices of the Sacred Feminine is a collection of 40 interviews and guest essays on Rev. Dr. Karen Tate’s Internet radio show of the same name. I’ve never listened to it, never heard of it until I reviewed this book, and wow, was I missing out! The book is a sampling of her shows over the past nine years, covering everything from sacred art to politics to archaeomythology. The book is divided into five sections: Deity, Archetype and Ideal; Ritual and Healing; Alternatives to Patriarchy; Sacred Activism; and a tribute to the late drummer Layne Redmond.
Each section is rich in its own right, and worthy of its own book review. Here, I’ll choose one conversation from each section to give a sense of what you might find in it. Continue reading
The Wheel of the Year has turned again and now Ostara, known secularly as the vernal equinox, is on the horizon. This is a time of celebration for many, because it marks the date when the day starts to become longer than the night.
Ostara, named after the Germanic fertility goddess, has been celebrated in many forms for hundreds of years. Spring is seen as the time of rebirth and fertility; it is a time of great celebration as the warmth returns to the Earth and the plants and animals flourish. Continue reading
The moon is full and glowing. The air is warm and sweet, as it should be at Midsummer. There is certain calmness in the circle, as if all the beasts and fae have paused in their nightly rhythm to watch you. Continue reading