By 2010 I’d been a practicing magician for some 15 years. I’d explored Paganism, Satanism, chaos magick, ceremonial magick, various forms of divination, and so on. I underwent the Abramelin ritual and was underwhelmed by the results. I felt I’d gotten as far as I could on my own, and I wanted to meet with people who were dealing with the same challenges I was. People I could talk to face-to-face, and share coffee with. I wanted to really feel like part of a community — an offline community. Much as I loved the online communities I’d found (the zee-list, chaoskaos, alt.magick.*, Irreality, etc.), I need to find people I could see. People I could learn from.
Whatever else I think of Aleister Crowley, I believe he was an exceptional magician, and many of his books remain the best ever written on practical magick. The Ordo Templi Orientis, the order he entrusted his legacy to, seemed a likely choice. I got in contact with my local lodge, and, after some months, finally met with representatives from that lodge at a pub. They seemed like good folk, and, after a few more months, I was in.
I find it fascinating that, in discussions of urban fantasy as a genre, the first word of the term is so rarely mentioned.
Humanity now lives in an age where more than half the world’s population lives in an urban rather than a rural environment. It should be no surprise that this dramatic shift in how we live as a species should be reflected in both our fantasy tales about the supernatural world and our magick. And, of course, the one feeds into the other. Continue reading
The Book of Grimoires: The Secret Grammar of Magic, by Claude Lecouteux
Inner Traditions, 9781620551875, 264 pp., 2002, 2013 (English translation)
To understand a book it’s important to know the purpose for which it was written. Lecouteux states that his aim is to provide a historical account of the use of grimoires, and to synthesize a “universal grimoire” from numerous source texts, but I find this proposal problematic. I’ve read several academic books on grimoires and medieval magick as part of my degree, including collections of original articles or reproductions of sections from various texts. Lecouteux says the book “takes the approach of a guided tour,” and that the material is obscure and complex, so he will explain the material throughout the book in order to make sense of what is provided, and this, I feel, is where things falls apart. Continue reading
Entering altered states of consciousness has a dramatic effect upon a ritual. Everything becomes more profound, from the smell of the incense, to the colour of the candlelight, to the feel of your wand in your hand. The objective here is not to enter into a full trance, instead these three techniques allow the ritual magician to expand their consciousness while remaining active on the material plane. They are well suited to everyday practical magick. None of the techniques described here require the use of drugs. Continue reading
The Theban Oracle, by Greg Jenkins, PhD
Weiser Books, 978-1-57863-549-8, 237 pp, (incl. appendix and bibliography), 2014
There are effectively three books within The Theban Oracle: an introduction to what the author calls “Medieval Metaphysics,” including the few references to the Theban alphabet; a method for divination using the alphabet and correspondences created by the author, which requires the reader to make a casting set using the instructions included; and examples of spell-casting with the support of the Theban letters. Continue reading