“Clear off your desk,” she said.
I was in the office of my college newspaper finishing up an article. Earlier that day, my friend attended a poetry reading where I read a sonnet I had specifically written for her. She held a copy of it now.
My editor returned earlier than expected and caught us doing a different kind of work at my desk.
It was then I realized that I could seduce with a sonnet. That I didn’t want to be someone else’s muse. And that Yeats was right—writing was indeed a form of magick. I wanted to be the magician. Continue reading
The High Magic of Talismans and Amulets: Tradition and Craft, by Claude Lecouteux
Inner Traditions, 264 pp. (incl. appendices, notes, bibliography, and index), 2014
The first part of The High Magic of Talismans and Amulets goes into the traditions related to amulets and the natural magic thereof, and also examines the tension between established Christianity and the long-standing tradition of magick, especially of the apotropaic (evil averting) sort. One is strongly reminded of the generations of priestly execrations of goddess worship in the Bible, which similarly told us how long the practices persisted, and some details of them which we would not otherwise have had.
The priests inveighing against these charms were particularly intent on discouraging the use of magical characters (alphabetic or sigilic writing that conveys spiritual power). They sometimes waxed poetic: “The demon slithers in the characters like the serpent beneath the flowers.” This ties nicely into his statement that “the unknown always inspires the Church with fear.”
Lecouteux summarizes part of this history thus: “Implicit in the background are notions of natural, licit magic and illicit black magic,” ((p. 30)) after giving one of many examples of a churchman condemning the talismanic art as being an implicit pact with a demon, a pattern which, as he points out, is “commonly repeated throughout the sixteenth century.” What this means to me is that the Faustian current which arose in early modern magick didn’t just appear without help. Apparently, it is as possible to call an egregore into being by constant execration as by constant evocation! Continue reading
Check out this video of the Carl Jung and John Constantine ritual performed by Ian Cat Vincent & co in Liverpool last year, in honour of the stage adaptation of Robert Anton Wilson‘s Cosmic Trigger.
Lupa’s most recent book is Plant and Fungus Totems, and in this article for Llewellyn, she explains why she looks beyond the animal kingdom and what lessons these totems can teach us.
Want to get rich? Here are three ways, and, oh, do these things too. Continue reading
Spiral Nature often receives letters from our readers looking for more information on certain subjects, or sometimes even for a place to begin. This query came in via our newsletter:
At this point, my main struggle is how to know when you are ready for spellcraft. I focus on the outcome, meditate on the process needed for the result, proceed accordingly, and then don’t see any results in a timely manner. I don’t expect instantaneous results, but I do expect to see results within a month. I do not accept that no result is an answer in itself so what must I do to ensure the outcome?
–Ready or Not
Well, Ready or Not, it depends, but ultimately, I would say that if you’re asking this question, you’re probably ready. Continue reading
By 2010 I’d been a practicing magician for some 15 years. I’d explored Paganism, Satanism, chaos magick, ceremonial magick, various forms of divination, and so on. I underwent the Abramelin ritual and was underwhelmed by the results. I felt I’d gotten as far as I could on my own, and I wanted to meet with people who were dealing with the same challenges I was. People I could talk to face-to-face, and share coffee with. I wanted to really feel like part of a community — an offline community. Much as I loved the online communities I’d found (the zee-list, chaoskaos, alt.magick.*, Irreality, etc.), I need to find people I could see. People I could learn from.
Whatever else I think of Aleister Crowley, I believe he was an exceptional magician, and many of his books remain the best ever written on practical magick. The Ordo Templi Orientis, the order he entrusted his legacy to, seemed a likely choice. I got in contact with my local lodge, and, after some months, finally met with representatives from that lodge at a pub. They seemed like good folk, and, after a few more months, I was in.