Check out this video of the Carl Jung and John Constantine ritual performed by Ian Cat Vincent & co in Liverpool last year, in honour of the stage adaptation of Robert Anton Wilson‘s Cosmic Trigger.
At this point, my main struggle is how to know when you are ready for spellcraft. I focus on the outcome, meditate on the process needed for the result, proceed accordingly, and then don’t see any results in a timely manner. I don’t expect instantaneous results, but I do expect to see results within a month. I do not accept that no result is an answer in itself so what must I do to ensure the outcome?
–Ready or Not
Well, Ready or Not, it depends, but ultimately, I would say that if you’re asking this question, you’re probably ready. Continue reading
By 2010 I’d been a practicing magician for some 15 years. I’d explored Paganism, Satanism, chaos magick, ceremonial magick, various forms of divination, and so on. I underwent the Abramelin ritual and was underwhelmed by the results. I felt I’d gotten as far as I could on my own, and I wanted to meet with people who were dealing with the same challenges I was. People I could talk to face-to-face, and share coffee with. I wanted to really feel like part of a community — an offline community. Much as I loved the online communities I’d found (the zee-list, chaoskaos, alt.magick.*, Irreality, etc.), I need to find people I could see. People I could learn from.
Whatever else I think of Aleister Crowley, I believe he was an exceptional magician, and many of his books remain the best ever written on practical magick. The Ordo Templi Orientis, the order he entrusted his legacy to, seemed a likely choice. I got in contact with my local lodge, and, after some months, finally met with representatives from that lodge at a pub. They seemed like good folk, and, after a few more months, I was in.
Humanity now lives in an age where more than half the world’s population lives in an urban rather than a rural environment. It should be no surprise that this dramatic shift in how we live as a species should be reflected in both our fantasy tales about the supernatural world and our magick. And, of course, the one feeds into the other. Continue reading
The Book of Grimoires: The Secret Grammar of Magic, by Claude Lecouteux
Inner Traditions, 9781620551875, 264 pp., 2002, 2013 (English translation)
To understand a book it’s important to know the purpose for which it was written. Lecouteux states that his aim is to provide a historical account of the use of grimoires, and to synthesize a “universal grimoire” from numerous source texts, but I find this proposal problematic. I’ve read several academic books on grimoires and medieval magick as part of my degree, including collections of original articles or reproductions of sections from various texts. Lecouteux says the book “takes the approach of a guided tour,” and that the material is obscure and complex, so he will explain the material throughout the book in order to make sense of what is provided, and this, I feel, is where things falls apart. Continue reading