Chemical Serpents: The Symbols of Illumination, by Anton Channing, illustrations by Janice Duke
When Illuminated Press, 978-1-909279-01-8, 100 pp. (incl. appendix, bibliography), 2013, Silver First Edition
I started falling in love with this book as it came out of the packaging. It’s tight, and has good, heavy cover stock and glossy high-quality pages. The cover art (an interpretation of Baphomet within an ouroboros) is a feast for the eyes and mind. The notebook-sized format, 8.5 x 11″, gives plenty of room for the text and lavish illustrations throughout its 100 pages. The print is done with accent colours, which takes a little acclimatization, rather like one’s first time playing poker with four-colour cards, but then the effect is pleasing.
The plan of the book is Pythagorean, in the sense that it starts with serpent symbolism, including the ouroboros, as the one, moves into egg-and-serpent and other generative symbols for the dyad, then has sections on the trinity, the four elements of the manifest world, then the pentagram, hexagram, and heptagram in the section on the microcosm and macrocosm before synthesizing in the long chapter on world trees, and ending in a Gnostic lecture on illumination. Continue reading
Advancing the Witches’ Craft, by Marcus F Griffin
Megalithica Books, 978-1-950713-54-7, 229 pp., 2011
This book is most definitely not a 101 guide. The author makes it abundantly clear that he is not going to spend time laying basic foundations for the exercises he details. If you don’t already know how to meditate, or move energy, or visualize things, you will want to give this particular volume a pass. It is about time, however, that a book like this comes onto the market.
Griffin is also not afraid to call it as he sees it. Just because something is the “accepted” way or view, doesn’t mean that he has to accept it. You should (almost) never cast a circle widdershins, right? Why? Energy is either positive (good) of negative (bad), right? Who says so? Continue reading
LeMulGeton: Goetia and the Stellar Tradition, by Leo Holmes
Fall of Man Press, 105 pp. (incl. bibliography), 2013
The title LeMulgeton combines the titles of two older books, Lemegeton and MUL.APIN. Written in the 17th century, Lemegeton, otherwise known as The Lesser Key of Solomon, contains a list of 72 demons with sigils and instructions for how to summon them, how each of them appears and their relative strengths. MUL.APIN, on the other hand, is the name of a Babylonian compendium on astronomy and astrology that dates back three thousand years.
When LeMulGeton arrived in my home and I unpacked it, I immediately noticed both its small size and beautiful presentation. It comes in a black card box showing the stars of the constellation of Orion in silver and a red wax seal. Inside we find a plain black paperback book with the full title, LEMULGETON: Goetia and the Stellar Tradition written simply on the cover in a bright silvery grey. Simple, but stylish. The box with wax seal adds a touch of unique style. Continue reading
Avalon, by Heather Dale
CD Baby, 19 tracks, 2010
It’s clear that the musical and mythological world invoked by Heather Dale’s new album Avalon is the world where the artist feels most at home. Arthurian mythology provides a rich field of inspirational stories, and so they have been rendered into music many times before; in that respect Dale’s musical project is ambitious and challenging. Can she do something with the mythology that has never been done before? My answer is Yes. Dale’s album accords to the stories the space to reveal themselves in their own way, as if she is working in true partnership with all the various writers who contributed to the literary sources. At the same time one also hears the unique and unveiled sound of her heart. Continue reading
The Path of Druidry: Walking the Ancient Green Way, by Penny Billington
Llewellyn Worldwide, 978-0-7387-2346-4, 384 pp, 2011
When dealing with the topic of Druidry there are inherent dangers. One can present a scholarly look at the few remaining historical references to the Druids and the speculation which has raged around them, one can present romanticized imaginings and call them “ancient secrets passed down in an unbroken succession through the ages”; or one can simply say “Here is what we know and this is how we relate to it in a vastly different world.” The latter is the method I personally prefer, it allows one to start from a solid base and then modify as required by the needs of the 21st century.
The approach to Druidry which Billington espouses is that of a living, evolving religion, and that seems eminently reasonable and practical to me. It is one which will allow the individual to discover the truths which work for them, while still providing a base of knowledge which will be acceptable to many others who follow a similar path. Each individual, ultimately, follows a unique path and has a unique perspective on religion and the religious experiences encountered along that path. Continue reading