Magick

Practical magick.

Depression, the dark night of the soul and magick

By Frater Barrabbas Tiresius | July 23, 2014 | Leave a comment

The dark night of the soul, photo by Marko MiloševićI have had some interesting conversations with some insightful magicians, discussing the phenomenon of the dark night of the soul, and the feelings of desolation, despair and deep depression which can occur to anyone who is following the initiatory path of magick. There seems to be consensus that all magicians at some point retire from the world (and, in a sense, renounce it) to undergo the mystical rigors of the dark night of the soul while seeking union with the One.

Strangely, I seem to be one of the few who takes issue with this. I think that it has more to do with a mystical approach to the godhead than a magical approach, and there are also the issues of chronic or situational depression, isolation and despair that have really nothing to do with spiritual ascension. In clinical depression, removing oneself from the world is a common symptom, and strong feelings are often replaced with a feeling of numbness, stasis or apathy.

The real question then, is whether or not mystics and magicians experience the iconic dark night of the soul in the same way. Continue reading


The poetics of love spells

By Marjorie Jensen | July 16, 2014 | Leave a comment

Love poetry, photo by Goleudy“Clear off your desk,” she said.

I was in the office of my college newspaper finishing up an article. Earlier that day, my friend attended a poetry reading where I read a sonnet I had specifically written for her. She held a copy of it now.

My editor returned earlier than expected and caught us doing a different kind of work at my desk.

It was then I realized that I could seduce with a sonnet. That I didn’t want to be someone else’s muse. And that Yeats was right—writing was indeed a form of magick. I wanted to be the magician. Continue reading


Why I left the OTO

By Psyche | June 18, 2014 | 27 comments

The golden spiral staircase at the AGO, photo by Ian MuttooBy 2010 I’d been a practicing magician for some 15 years. I’d explored Paganism, Satanism, chaos magick, ceremonial magick, various forms of divination, and so on. I underwent the Abramelin ritual and was underwhelmed by the results. I felt I’d gotten as far as I could on my own, and I wanted to meet with people who were dealing with the same challenges I was. People I could talk to face-to-face, and share coffee with. I wanted to really feel like part of a community — an offline community. Much as I loved the online communities I’d found (the zee-list, chaoskaos, alt.magick.*, Irreality, etc.), I need to find people I could see. People I could learn from.

Whatever else I think of Aleister Crowley, I believe he was an exceptional magician, and many of his books remain the best ever written on practical magick. The Ordo Templi Orientis, the order he entrusted his legacy to, seemed a likely choice. I got in contact with my local lodge, and, after some months, finally met with representatives from that lodge at a pub. They seemed like good folk, and, after a few more months, I was in.

Continue reading


How to achieve altered states of consciousness

By Jarred Triskelion | May 28, 2014 | 1 comment

Altered States, photo by H KoppdelaneyEntering altered states of consciousness has a dramatic effect upon a ritual. Everything becomes more profound, from the smell of the incense, to the colour of the candlelight, to the feel of your wand in your hand. The objective here is not to enter into a full trance, instead these three techniques allow the ritual magician to expand their consciousness while remaining active on the material plane. They are well suited to everyday practical magick. None of the techniques described here require the use of drugs. Continue reading


Writing good luck spells

By Jarred Triskelion | April 2, 2014 | Leave a comment

Luck, by JD Hancock

When the chips are down we all need a little bit of luck. An incantation is a deceptively simple spell designed to come into effect when read aloud. They are dramatic and powerful; ideal when you need to change your fortunes. Through experimentation I have developed a system for writing effective incantations. Writing an incantation is very much like writing a song or poem. All three arrange words to create something greater than the sum of its parts. Continue reading


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