When the chips are down we all need a little bit of luck. An incantation is a deceptively simple spell designed to come into effect when read aloud. They are dramatic and powerful; ideal when you need to change your fortunes. Through experimentation I have developed a system for writing effective incantations. Writing an incantation is very much like writing a song or poem. All three arrange words to create something greater than the sum of its parts. Continue reading
There is no tool more readily identified with magick than the wand. During rituals the wand serves to channel, amplify and project energy. In the process of crafting a wand you project your will into it and create something which is uniquely your own. The connection you have with your wand will aid the flow of energy during rituals.
The process for crafting a wand is surprisingly straightforward. It can easily be adapted for creating a staff, which is essentially just a wand large enough to serve a practical purpose as an aid to walking.
There are many materials from which a wand can be created including quartz, bone and iron. The advantage of wood is that it is easily worked without the need for specialist tools or skills. Continue reading
The comments section for “Sexism in contemporary occulture” and “Gender and the elements” flared up when they were originally published on Plutonica.net, and it became clear that the larger conversation is far from over. If you haven’t read these posts yet, they’re a good place to start.
Two new essays have appeared recently on this theme, and they bear a closer look.
the very act of questioning the inevitability of gender polarity is a radical step – and one which potentially shatters the foundations of the occult implicit-order – itself a reification of the wider gender-order of Western Culture. Gender polarity is often reified in occult texts as an earthly reflection of cosmic or otherwise essential principles – which are held to be inevitable and juridical (“Laws”). Frequently it is asserted that gender polarity is inevitable because it occurs on the “higher planes” or is a reflection of essential qualities of deities, archetypes, etc – it is universal and timeless – part of an unchanging/unbroken tradition which has only been challenged very recently…
Hine traces the origin sexual polarity to Aristotle via Plato, and the absurdity of enshrining these views in “tradition,” further shattering the idea that these ideas represent some “unbroken” mystic tradition. It’s good stuff. Continue reading
It’s hardly surprising that something called “chaos magick” is constantly in flux, both in terms of what gets classed as chaos magick and the people it attracts.
I was first introduced to the subject by some English bloke on IRC in a random Wiccan chatroom who later, through a series of unlikely circumstances, became my partner. He introduced names I’d never heard of before: Austin Osman Spare, Peter J Carroll, Robert Anton Wilson – people with three names writing weird and wonderful things. Continue reading
The four classical elements date back to the 5th century BCE. In the fragmentary writings that survive from Empedocles, he established , among other things, the four roots (later elements) as Earth, Air, Fire and Water, and that these roots (or elements) are associated with specific gods: Hera, Zeus, Hades, and Nestis (Persephone), respectively.
These associations had complex geographical and mythical attributes which are rarely (if ever) taken into consideration. They don’t specify mystic sexual or gender-based properties inherent in the elements themselves, but rather describe mystic attributes relevant to these specific divine couples. (For more on Empedocles and the establishment of the four classical elements, I recommend Peter Kingsley’s Ancient Philosophy, Mystery, and Magic: Empedocles and Pythagorean Tradition.)
Taken out of context, the elements often get (mis)classed as: Earth/female, Air/male, Fire/male, Water/female. This tradition has become entrenched in modern occultism, and it is patently absurd. Continue reading