Paganism

Paganism and heathenry galore.

Ostara traditions: Eggs, rabbits, and rituals

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Pisanki, photo by Praktyczny Przewodnik

The Wheel of the Year has turned again and now Ostara, known secularly as the vernal equinox, is on the horizon. This is a time of celebration for many, because it marks the date when the day starts to become longer than the night.

Ostara, named after the Germanic fertility goddess, has been celebrated in many forms for hundreds of years. Spring is seen as the time of rebirth and fertility; it is a time of great celebration as the warmth returns to the Earth and the plants and animals flourish. Continue reading


When a coven comes to its natural end

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Fall leaves, photo by Andreina SchoeberleinAs popular Wiccan opinion goes, the number one coven killer in existence is a dreadful little thing called divorce. We’ve all heard the stories; the High Priest’s and High Priestess’ relationship devolves, the marriage unravels, the trust is shattered and people inevitably pick sides. Much can be said about divorce and its effects on a coven and on an entire line by Gardnerians in the USA. But this article isn’t about the number one coven killer in America. This article is about another way that covens end; this article is about life. Continue reading


God, Goddess, and Other: Fertility faiths and queer identities

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Monticello Gardens and Pavilion, photo by Mr Tin DCI was Wiccan for several years. It was my first exposure to Paganism, as it is for many people. I enjoyed feeling connected with nature, I was happy to find a faith that didn’t shame me for having a vagina, and of course, like most geeky 11-year-old girls would, I relished the feeling of empowerment that knowledge of magick brought.

It wasn’t long before something in me I couldn’t quite identify began to butt heads with what I was reading and practicing. There are many aspects of the Horned God I felt (and still feel) a connection to, such as his associations with wild nature, magick, and the death and rebirth cycle, but I felt discouraged from exploring these ideas because they were deemed “masculine.” Instead, I tried to explore the mysteries of the Goddess as I felt I was “supposed” to. Despite being young, I felt unable to relate to the Maiden, and I felt stifled by the seeming inevitability of becoming a Mother, then a Crone — neither of which particularly appealed to me. It was also around this time that I began to realize I was gay, which only served to intensify my feelings of alienation. How could a spiritually necessary “union of opposites” occur when I didn’t even find my so-called “opposite” attractive? Continue reading


Robert Graves’ fabrication of the Celtic tree calendar

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Tree, photo by Romain ValletFor many people, their first introduction to the Song of Amergin came through Robert Graves’ The White Goddess.  Graves states that, “English poetic education should, really, begin not with Canterbury Tales, not with the Odyssey, not even with Genesis, but with the Song of Amergin.”

However, despite this apparently reverential beginning; Graves does not actually put forward the Song of Amergin as we have it; rather he begins by utterly changing this ancient poem to better fit his own pet theory, connecting the lines from this poem to the Ogham alphabet and the “months” of the year.  This creates a vague pattern, unprecedented in either nature or the Gaelic source culture he purports to respect.

Graves provides neither the original Irish poem, nor anyone else’s English translation. Instead he just sets off on his own imaginative journey. Continue reading


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