The Heart of Buddhist Meditation: The Buddha’s Way of Mindfulness, by Nyanaponika Thera
Weiser Books, 9781578635580, 257 pp., 1954, 2014
This book is issued in the deep conviction that the systematic cultivation of Right Mindfulness, as taught by the Buddha in his Discourse on Satipatthana, still provides the most simple and direct, the most thorough and effective, method for training and developing the mind for its daily tasks and problems as well as for its highest aim: mind’s own unshakable deliverance from Greed, Hatred and Delusion.
The Heart of Buddhist Meditation is a classic of Western Buddhism from the ’50s, which Weiser has just republished on its 50th anniversary. It’s one of the first serious books on Vipassana meditation written for a Western audience. “This is the book that started it all — the book that, with great clarity and ardour, introduced Vipassana and mindfulness to the West.,” says Jon Kabat-Zinn, author of Mindfulness for Beginners. Continue reading
Temple of the Drum, by Dragon Ritual Drummers
CD: Dragon Ritual Drummers, 12 tracks, 55:34 min., 2011
I am extremely grateful that a friend pointed me in the direction of Dragon Ritual Drummers a few years ago. In the intervening years, I have had the pleasure and opportunity to receive and review several of their releases and I have yet to be disappointed by the quality of the performances and production values. These folks know how to use their instruments to attain the best possible results.
Almost all of their music is written by members of the group, though they do include a few traditional songs to add a little extra flavour and variety — “Fanga” and “Shaharazad” are examples on this album. Perhaps the most striking thing about their performances is that they don’t use “studio tricks” to make their recordings: there is no sampling from other sources, no instrumental enhancements of any sorts. What you hear is all natural, although it is possible Continue reading
Traditional Witchcraft for the Seashore, by Melusine Draco
O Books, 9781846944260, 159 pp., 2012
The majority of books I encounter on the subject of witchcraft and Wicca fall into one of two categories: they are written for rural witches, or for urban witches, as though those are the only two options. If you believe the stories of how things were in the “bad old days,” witches were seldom found in either of those two settings. They were most often found in the transitional (or “liminal”) areas – the last house in the village just before you entered the countryside, or the first house after such a point. They weren’t living in the wilds, but they weren’t comfortable in the daily to-do of the village centre either.
This book addresses another transitional space: the seashore. Continue reading
Advancing the Witches’ Craft, by Marcus F Griffin
Megalithica Books, 978-1-950713-54-7, 229 pp., 2011
This book is most definitely not a 101 guide. The author makes it abundantly clear that he is not going to spend time laying basic foundations for the exercises he details. If you don’t already know how to meditate, or move energy, or visualize things, you will want to give this particular volume a pass. It is about time, however, that a book like this comes onto the market.
Griffin is also not afraid to call it as he sees it. Just because something is the “accepted” way or view, doesn’t mean that he has to accept it. You should (almost) never cast a circle widdershins, right? Why? Energy is either positive (good) of negative (bad), right? Who says so? Continue reading
Avalon, by Heather Dale
CD Baby, 19 tracks, 2010
It’s clear that the musical and mythological world invoked by Heather Dale’s new album Avalon is the world where the artist feels most at home. Arthurian mythology provides a rich field of inspirational stories, and so they have been rendered into music many times before; in that respect Dale’s musical project is ambitious and challenging. Can she do something with the mythology that has never been done before? My answer is Yes. Dale’s album accords to the stories the space to reveal themselves in their own way, as if she is working in true partnership with all the various writers who contributed to the literary sources. At the same time one also hears the unique and unveiled sound of her heart. Continue reading