This Faery Oracle started speaking to me the moment I opened it. Card number one was on top, of course, and it was The Three Graces: “Cooperative ventures with friends, joy, sharing, new partnerships that are fun.” Two nights before I had met with an old publisher friend of mine, who proposed being part of a new magazine she’s launching. And the week before, I had received word that my own oracle deck, Gaia’s Vision, which I worked on with another dear friend, is slated for publication in 2016. I have a ball with both of these lovely women, and I expect it will just get better. The card had answered a question I hadn’t even asked yet.
It was Camelia Elias’ tarot blog, Tarotflexions, which first drew me to her work. Her observations there are smart and incisive, and her approach to tarot is quite different from mine, which means I’m always learning something new. Her essay in The Magiculum was one of the strongest in that collection, and I was excited to see a more focused effort on tarot, and this book certainly delivers.
Marseille Tarot focuses on Elias’ preferred deck, Carolus Zoya’s Tarot de Marseille, a deck created in Turin at the end of the 18th century. The book includes numerous full colour images, and the deck is based on a common Marseille pattern, so while this particular deck is unavailable for purchase, the insights provided here can easily be applied to any Marseille deck, or even other tarot patterns. Continue reading
Techniques of Graeco-Egyptian Magic exhibits a soft spot I have for magick: the academic approach. This Ph.D. paper by Stephen Skinner is the latest of the his many works on the Western esoteric tradition, in addition to many books on feng shui. His clear grasp on the historical data and his academic lens make this paper-turned-book a highly educational though sometimes mundane read. There is no fluff here — just facts, charts, and the occasional historical backtracking. Yet, Skinner’s painstaking translation, organization, and interpretation bring to light many long-standing traditions’ origins in the magick of Late Antiquity. Skinner describes a snapshot in time when magick held reverence as part of a tradition tied to the mystery cults and religions of the day. Continue reading
Francis H Breakspear was the pseudonym of the academic chaote Dave Evans, who passed in 2013. This was his third book in under this name, following Kaostar! and If It Was Easy, Everyone Would Be Doing It! (As Breakspear, Evans seemed inordinately fond of exclamation points.)
Both a scholar and a practitioner of the occult, Evans was a founding editor of The Journal for the Academic Study of Magic, and co-editor of Ten Years of Triumph of the Moon (with Dave Green). He was also the author of The History of British Magick After Crowley and Aleister Crowley and the 20th Century Synthesis of Magick. Finally, in the interest of full disclosure, he was also an occasional contributor to both Spiral Nature and Plutonica.net, and a good friend. Continue reading
The Gorgon’s Tarot is an unusual deck: the cards are round, and the images are predominantly black and white. “Gorgon” appears to be a nickname for Dolores Fitchie herself, and also serves as the patron creature presiding over this deck, in particular, Euryale, the gorgon who defied the gods, seeking knowledge and truth.
The cards began life as a graphic project, not a divinatory tool, and The Gorgon’s Tarot was more than 10 years in the making. The black and white design is deliberate and is intended to remove colour symbolism, which Fitchie finds distracting, and has no interest in. There are two cards that contain splashes of red: The Blind Gorgon and the Devil. When they appear, the bright flashes of red make these cards seem all the more startling. Continue reading
Liber Nox is subtitled “A Traditional Witch’s Gramarye” in order to distinguish it from various forms of Wicca and contemporary Paganism, and to emphasize that it’s not in those traditions, but dealing with something older.
The book covers what one might expect from a basic text of witchcraft: the deities, the tools, initiation, circle casting, and the Wheel of the Year. In this regard it’s a good book, and if you need another guide to the Wheel of the Year and the mythology and rituals behind it, or the tools of the craft, then Liber Nox can get you started. Continue reading