This Faery Oracle started speaking to me the moment I opened it. Card number one was on top, of course, and it was The Three Graces: “Cooperative ventures with friends, joy, sharing, new partnerships that are fun.” Two nights before I had met with an old publisher friend of mine, who proposed being part of a new magazine she’s launching. And the week before, I had received word that my own oracle deck, Gaia’s Vision, which I worked on with another dear friend, is slated for publication in 2016. I have a ball with both of these lovely women, and I expect it will just get better. The card had answered a question I hadn’t even asked yet.
It was Camelia Elias’ tarot blog, Tarotflexions, which first drew me to her work. Her observations there are smart and incisive, and her approach to tarot is quite different from mine, which means I’m always learning something new. Her essay in The Magiculum was one of the strongest in that collection, and I was excited to see a more focused effort on tarot, and this book certainly delivers.
Marseille Tarot focuses on Elias’ preferred deck, Carolus Zoya’s Tarot de Marseille, a deck created in Turin at the end of the 18th century. The book includes numerous full colour images, and the deck is based on a common Marseille pattern, so while this particular deck is unavailable for purchase, the insights provided here can easily be applied to any Marseille deck, or even other tarot patterns. Continue reading
Francis H Breakspear was the pseudonym of the academic chaote Dave Evans, who passed in 2013. This was his third book in under this name, following Kaostar! and If It Was Easy, Everyone Would Be Doing It! (As Breakspear, Evans seemed inordinately fond of exclamation points.)
Both a scholar and a practitioner of the occult, Evans was a founding editor of The Journal for the Academic Study of Magic, and co-editor of Ten Years of Triumph of the Moon (with Dave Green). He was also the author of The History of British Magick After Crowley and Aleister Crowley and the 20th Century Synthesis of Magick. Finally, in the interest of full disclosure, he was also an occasional contributor to both Spiral Nature and Plutonica.net, and a good friend. Continue reading
The Gorgon’s Tarot is an unusual deck: the cards are round, and the images are predominantly black and white. “Gorgon” appears to be a nickname for Dolores Fitchie herself, and also serves as the patron creature presiding over this deck, in particular, Euryale, the gorgon who defied the gods, seeking knowledge and truth.
The cards began life as a graphic project, not a divinatory tool, and The Gorgon’s Tarot was more than 10 years in the making. The black and white design is deliberate and is intended to remove colour symbolism, which Fitchie finds distracting, and has no interest in. There are two cards that contain splashes of red: The Blind Gorgon and the Devil. When they appear, the bright flashes of red make these cards seem all the more startling. Continue reading
Holistic Tarot: An Integrative Approach to Using Tarot for Personal Growth, by Benebell Wen
North Atlantic Books, 158394835X, 896 pp (incl. notes, appendices, and index), 2015
Holistic Tarot is useful as a tool for personal growth and study, with fresh ideas for tarot enthusiasts from a variety of backgrounds. Tarot practitioners can glean inspiration and find structure for instruction, spiritual and magical use, yet at the same time, an argument is made that much of tarot’s usefulness comes not from mysticism but from analytical psychology.
Including notes, appendices and index, Holistic Tarot is nearly 900 pages, and is chock-full of tables, spreads, and writing that is practical, comprehensive, and transformative. The book itself is more than a vast instruction manual for tarot practitioners from novice to skilled levels, Benebell Wen also encourages its use as a volume for teaching tarot. It includes information for numerous disciplines, giving a nod to the Tree of Life, astrology, numerology and the author’s roots in eastern thought, with the I Ching, a Ba Gua spread, and a sprinkling of the concept of qi throughout. Continue reading
Naga Magick is an interesting find on many levels. Denny Sargent has written an erudite and fascinating glimpse into a world at once mysterious and paradoxical.
Naga Magick began life as a research project which then blossomed into this book. As a practicing tantric and historian, Denny Sargent can speak with authority about these mysterious and powerful serpent entities who have been the object of veneration for millennia in India and other parts of Asia. Serpents as an archetype and reality arouse both fear and awe in humans, they haunt the depths of our subconscious and manifest in many areas of human culture; a relic, perhaps, of a primeval fear from our ancient past. Continue reading