Tarot-inspired poetry can be a vehicle for ritual, reflection, joy, and for release. Creating it adds a new layer to the act of divination, requiring introspection and expression. Metaphor and mythology feed the imagination in tarot readings and when tarot is used for poetry.
A poet’s strongest tool, arguably, is metaphor, which helps interpret the significance of tarot cards. The sea on the Rider-Waite-Smith two of pentacles represents a bumpy, busy emotional or subconscious experience informs a card reader, and it is just this work that a poet does, with or without cards. Do not be afraid to consider those undertones in your cards, as poetry often draws from our depths, and the subtlest message of each card is easily fodder for poetry.
Poetry – and creative writing in general – provides opportunity for a personal journey. The results of creative, conscious efforts have no room for judgement. To explore your words is the means and the reward. Poetry is a unique language that condenses the larger universe and plays with anything the imagination offers. Poetry is allowed to roam and wander, or it may creep and crawl and gather details other forms of language will not. The poet is often a navigator, but in this style of writing, one should always let mood, inspiration, spirit or whatever you wish to call it, lead you. Continue reading
A card is considered to be inverted or reversed when it is placed in a reversed position. If, for example, the card is placed vertically, its top edge will face the bottom of the spread. The card is read normally as part of the spread but carries an altered meaning.
The use of inverted tarot cards may seem intimidating, but they are not inherently bad. They simply represent a counterpoint to each card’s standard meanings. Consider the balanced energies of the yin and yang: each exists as a reflection of the other. There are those who choose not to make use of inverted cards. The introduction of any negativity to a reading is something they would prefer to avoid.
Why use inverted cards?
Inverted cards are a useful tool for understanding the context of a card’s position in the spread. Contrasting the inverted cards with their conventional counterparts can help understand the tone of the reading. Continue reading
In a recent discussion, I was asked about tarot’s role in decision-making. We’ve looked at tarot and accuracy, and sharing bad news with a client, but what happens when they want you or the cards to make a decision for them?
I’ve heard it’s not “good” practice to expect the tarot to make decisions for you and it may be better to only ask it what the outcomes to things might be if you continue down the same path?
Many will suggest that the mere fact the querent is aware of new possibilities may alter the outcome, but past experience has demonstrated that it is incredibly rare for someone to radically change their character, even when it may be in their best interest to do so. Continue reading
Recently I posted a list of my top five foundational books on tarot – books that give a solid grounding in tarot’s history and practical use.
I’m no tarotist scholar, and I found Decker’s article in Gnosis (#46, Winter 1998) convincing and enlightening. However, I was left unconvinced that there was no connection to esoteric Egyptian tradition. Tony Bushby…suggests that 22 Hebrew characters were ‘occulted’ in the Egyptian Book of Thoth/God, and that ‘tarot’ is a plural form of Torah. […]
In tarot’s fairly well documented history (letters, accounting ledgers, early examples of tarot cards and “regular” playing cards, etc.), there is absolutely no suggestion whatsoever that tarot cards were intended for use as anything other than an innovating card game. Serious tarot practitioners know this, it’s the occultists who resist reading anything in depth outside their genre – and I say this as an occultist myself! (Probably because occultists have invested so much in the mystification of tarot they figure it’d be a shame to stop now.) Continue reading
My day job allows a certain amount of freedom when it comes to listening to music at work. Most people have headphones, and once upon a time the majority would have been listening to Pandora.com, but it’s been a while since they disallowed Canadian listening due to licensing constraints – a shame, because I found many new bands via their ingenuous Music Genome Project – music I then later bought, as with Napster in the days of yore. But I digress.
Sitting at my cubicle, work is where I listen to podcasts when my mp3 player starts to seem repetitive. Late December and early January I was on vacation, and so, behind. I recently caught up and finally listened to the latest Tarot Connection episodes.
In episode 67, host Leisa ReFalo and guest Roger Tobin tackled the subject of difficult cards from a variety angles, specific tarot cards deemed difficult for the client and for the reader; cards which might seem scary for a client unfamiliar with their meaning (Death, the Devil and the Tower are common examples), and cards which are challenging for the reader to interpret, either because they’re still unclear on the meaning, or even simply because they don’t often turn up during a reading (we all have cards like this). Continue reading
Earlier we looked at the role of “accuracy” in tarot, particularly in comparison to fortune-telling. A key point to take away from this is that, in tarot reading for a client or even for oneself, the main goal of any divinatory reading is to provide information that is useful to the querent.
Whether or not the future is set can become irrelevant when the cards clearly foretell disaster for the querent. When the cards spell doom, deciding how to relate that to the client can be tricky. Changeable or not, it’s rarely something a querent wants to hear, and depending on who the querent is it can be more detrimental to share this information than not. Continue reading